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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    828 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    287 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 258 matching records exist across the two collections.

Results for "The Unicorn Surrenders to a Maiden (from"12 records

Institutions answered newest-first by record, interleaved

Portrait medal of Cecilia Gonzaga (obverse); Innocence and a Unicorn in a Moonlit Landscape (reverse) by Pisanello (Antonio Pisano), The Metropolitan Museum of Art

Portrait medal of Cecilia Gonzaga (obverse); Innocence and a Unicorn in a Moonlit Landscape (reverse)

Pisanello (Antonio Pisano) (d. 1455)

model 1447 (old aftercast) · Bronze (copper alloy with warm brown patina under a worn layer of black wax)

Cleared · Public Domain

live
The MetSimilar
Coffret by an unrecorded maker, The Metropolitan Museum of Art

Coffret

Unrecorded maker

late 15th century (?) · Maple

Cleared · Public Domain

live
The MetSimilar
The Hunters Enter the Woods (from the Unicorn Tapestries) by an unrecorded maker, The Metropolitan Museum of Art

The Hunters Enter the Woods (from the Unicorn Tapestries)

Unrecorded maker

1495–1505 · Wool warp, wool, silk, silver, and gilt wefts

Cleared · Public Domain

live
The MetSimilar
The Hunters Return to the Castle (from the Unicorn Tapestries) by an unrecorded maker, The Metropolitan Museum of Art

The Hunters Return to the Castle (from the Unicorn Tapestries)

Unrecorded maker

1495–1505 · Wool warp with wool, silk, silver, and gilt wefts

Cleared · Public Domain

live
The MetSimilar
The Unicorn Crosses a Stream (from the Unicorn Tapestries) by an unrecorded maker, The Metropolitan Museum of Art

The Unicorn Crosses a Stream (from the Unicorn Tapestries)

Unrecorded maker

1495–1505 · Wool warp with wool, silk, silver, and gilt wefts

Cleared · Public Domain

live
The MetSimilar
The Unicorn Defends Himself (from the Unicorn Tapestries) by an unrecorded maker, The Metropolitan Museum of Art

The Unicorn Defends Himself (from the Unicorn Tapestries)

Unrecorded maker

1495–1505 · Wool warp with wool, silk, silver, and gilt wefts

Cleared · Public Domain

live
The MetSimilar
The Unicorn Purifies Water (from the Unicorn Tapestries) by an unrecorded maker, The Metropolitan Museum of Art

The Unicorn Purifies Water (from the Unicorn Tapestries)

Unrecorded maker

1495–1505 · Wool warp with wool, silk, silver, and gilt wefts

Cleared · Public Domain

live
The MetSimilar
The Unicorn Rests in a Garden (from the Unicorn Tapestries) by an unrecorded maker, The Metropolitan Museum of Art

The Unicorn Rests in a Garden (from the Unicorn Tapestries)

Unrecorded maker

1495–1505 · Wool warp with wool, silk, silver, and gilt wefts

Cleared · Public Domain

live
The MetSimilar
The Unicorn Surrenders to a Maiden (from the Unicorn Tapestries) by an unrecorded maker, The Metropolitan Museum of Art

The Unicorn Surrenders to a Maiden (from the Unicorn Tapestries)

Unrecorded maker

1495–1505 · Wool warp with wool, silk, silver, and gilt wefts

Cleared · Public Domain

live
The MetSimilar
The Unicorn Surrenders to a Maiden (from the Unicorn Tapestries) by an unrecorded maker, The Metropolitan Museum of Art

The Unicorn Surrenders to a Maiden (from the Unicorn Tapestries)

Unrecorded maker

1495–1505 · Wool warp with wool, silk, silver, and gilt wefts

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maiden Lane from No. 1 to No. 65

Tallis & Co. (d. 1863)

1854 · Steel engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maiden Lane from No. 2 to No. 62

Tallis & Co. (d. 1863)

1854 · Steel engraving

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.