
Trade Card for Périer, Ironmonger
Gabriel de Saint-Aubin (d. 1780)
1767 · Etching and drypoint, reworked with pen and brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
267 ms. The Metropolitan Museum of Art, Collection API (Open Access)
385 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 23 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Trade Card for Périer, Ironmonger
Gabriel de Saint-Aubin (d. 1780)
1767 · Etching and drypoint, reworked with pen and brown ink
Cleared · Public Domain
live![[Dandelion Seeds] by William Henry Fox Talbot, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP106960.jpg)
[Dandelion Seeds]
William Henry Fox Talbot (d. 1877)
1858 or later · Photogravure (photoglyphic engraving from a copper plate)
Cleared · Public Domain
live
Little Venice
Arthur Wesley Dow (d. 1922)
ca. 1893 · Color woodcut
Cleared · Public Domain
live
Little Venice
Arthur Wesley Dow (d. 1922)
ca. 1893 · Color woodcut; early state, with key block and single color
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
En Grande Tenue (experimental proof)
Cyril E. Power (d. 1951)
ca. 1930 · Linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Giant Racer (experimental proof)
Cyril E. Power (d. 1951)
ca. 1930 · Linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Vestibule (Experimental Proof)
Cyril E. Power (d. 1951)
ca. 1930 · Linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Revolution (experimental proof)
Cyril E. Power (d. 1951)
ca. 1931 · Color linocut; proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Tube Station (Unique Experimental Proof)
Cyril E. Power (d. 1951)
ca. 1932 · Linocut on Japanese paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Acrobats (experimental proof)
Cyril E. Power (d. 1951)
ca. 1933 · Linocut on Japanese paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Tube Train
Cyril E. Power (d. 1951)
ca. 1934 · Linocut; experimental proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Man with a Hat from Du cubisme
Albert Gleizes (d. 1953)
1914, printed 1947 · Book
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.