
Bronze statuette of a priest
Unrecorded maker
3rd–2nd century BCE · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
398 ms. The Metropolitan Museum of Art, Collection API (Open Access)
400 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 74 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bronze statuette of a priest
Unrecorded maker
3rd–2nd century BCE · Bronze
Cleared · Public Domain
live
Square with a Grape Harvesting Scene
Unrecorded maker
4th–5th century · Linen, wool; tapestry-woven
Cleared · Public Domain
live
Fragment of a Band with Scenes from the Vintage
Unrecorded maker
4th–6th century · Linen, wool
Cleared · Public Domain
live
The Vintage; a man pouring grapes from a basket into a vat, above Bacchus sitting, other figures at left
Marcantonio Raimondi (d. 1534)
ca. 1517–20 · Engraving
Cleared · Public Domain
live
Four boys, two satyrs and a goat
Wenceslaus Hollar (d. 1677)
1654 · Etching, first state of two
Cleared · Public Domain
live
October from a set of The Months of Lucas
Master of the Months of Lucas (d. 1535)
designed ca. 1535, woven 1732–37 · Wool, silk (20-21 warps per inch, 8-9 per cm.)
Cleared · Public Domain
live
Plate 16: a group of people outdoors, including a man pouring wine or water from a vessel on his back, from "Customs and Pastimes of the Spanish People"
Francisco Lameyer y Berenguer (d. 1877)
1850 · Etching
Cleared · Public Domain
live
Vintage Dance, from National Dances (N225, Type 1) issued by Kinney Bros.
Kinney Brothers Tobacco Company (d. 2011)
1889 · Commercial color lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Autumn, from a set of ornamental designs with allegories of the seasons and grotesques
Marc Duval (d. 1581)
ca. 1550–81 · Engraving: second state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Three Boys, Two Satyrs and a Goat
Wenceslaus Hollar (d. 1677)
1654 · Etching; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bacchus as a naked young man, grapes in his right hand, a cup held aloft in his left
Anonymous Mexican Artist
ca. 1860–1880 [reprinted 1938] · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Semblance, Man Ray Tapestry (4)
Alison Rossiter (d. 9999)
2026 · Gelatin silver prints
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.