
The Virgin Appearing to Saint John, from "The Apocalypse"
Albrecht Dürer (d. 1528)
1498 · Woodcut
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
129 ms. The Metropolitan Museum of Art, Collection API (Open Access)
325 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 105 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Virgin Appearing to Saint John, from "The Apocalypse"
Albrecht Dürer (d. 1528)
1498 · Woodcut
Cleared · Public Domain
live
The Virgin Appearing to Saint John, frontispiece to "The Apocalypse"
Albrecht Dürer (d. 1528)
1511 · Woodcut
Cleared · Public Domain
live
The Virgin Appearing to Saint John, Frontispiece to the Apocalypse
Albrecht Dürer (d. 1528)
1511 · Woodcut
Cleared · Public Domain
live
The Virgin and Child Appearing to Saint Peter, Saint Damasus, Saint Lawrence, and Saint Paul; the Martyrdom of Saint Lawrence in the Background
Federico Zuccaro (Zuccari) (d. 1609)
1566–68 · Pen and brown ink, brush and brown wash, over traces of red and black chalk, on beige paper
Cleared · Public Domain
live
Virgin and Child with Saint Joseph
Netherlandish Painter, second half of 16th century (d. 1599)
second half 16th century · Oil on oak panel
Cleared · Public Domain
live
Christ and the Virgin Appearing to Saint Francis
Pietro Faccini (d. 1602)
1562–1602 · Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of charcoal or soft black chalk, on blue-green paper; scattered paint stains throughout
Cleared · Public Domain
live
Saint Joseph Presented by the Virgin to the Holy Trinity
Corrado Giaquinto (d. 1766)
ca. 1735 · Red chalk, pen and brown ink, brush and brown wash, highlighted with white
Cleared · Public Domain
live
The Virgin and Child Appearing to Saint Agatha and Saint Lucy
Nicola Grassi (d. 1750)
1682–1750 · Red chalk; framing lines in pen and brown ink
Cleared · Public Domain
live
The Virgin Appearing to Saint Joseph Calasanctius
Marco Caprinozzi (d. 1778)
1711–78 · Black chalk, highlighted with white, on gray prepared paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Virgin Appearing to Saint Jerome
Agostino Carracci (d. 1602)
1588 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Virgin and Child appearing to Saint Stanislaw Kostka
Anton Fritz (d. 1755)
ca 1718–1755 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Virgin appearing to Saint Simon Stock
Giovanni Domenico Tiepolo (d. 1804)
ca. 1750–80 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.