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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    136 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    320 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 236 matching records exist across the two collections.

Results for "The Virgin Immaculate Appearing to Four"12 records

Institutions answered newest-first by record, interleaved

Christ and the Virgin Appearing to Saint Francis by Pietro Faccini, The Metropolitan Museum of Art

Christ and the Virgin Appearing to Saint Francis

Pietro Faccini (d. 1602)

1562–1602 · Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of charcoal or soft black chalk, on blue-green paper; scattered paint stains throughout

Cleared · Public Domain

live
The MetSimilar
The Virgin Immaculate Appearing to Four Saints by Ciro Ferri, The Metropolitan Museum of Art

The Virgin Immaculate Appearing to Four Saints

Ciro Ferri (d. 1689)

1634–89 · Black chalk; squared in black chalk

Cleared · Public Domain

live
The MetSimilar
The Virgin with Female Attendant Appearing to Four Male Saints by Carlo Maratti, The Metropolitan Museum of Art

The Virgin with Female Attendant Appearing to Four Male Saints

Carlo Maratti (d. 1713)

1680–95 · Pen and brown ink, brush and gray wash, over red chalk

Cleared · Public Domain

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The MetSimilar
Virgin of the Immaculate Conception by Lorenzo Vaccaro, The Metropolitan Museum of Art

Virgin of the Immaculate Conception

Lorenzo Vaccaro (d. 1706)

late 17th century · Bronze, fire-gilt; polychromy, silver

Cleared · Public Domain

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The MetSimilar
The Virgin Immaculate and Four Male Saints (Study for The Dispute over the Immaculate Conception) by Carlo Maratti, The Metropolitan Museum of Art

The Virgin Immaculate and Four Male Saints (Study for The Dispute over the Immaculate Conception)

Carlo Maratti (d. 1713)

1625–1713 · Red chalk on beige paper

Cleared · Public Domain

live
The MetSimilar
The Virgin Immaculate with the Four Doctors of the Church, Study for the Dispute over the Immaculate Conception by Carlo Maratti, The Metropolitan Museum of Art

The Virgin Immaculate with the Four Doctors of the Church, Study for the Dispute over the Immaculate Conception

Carlo Maratti (d. 1713)

1625–1713 · Pen and brown ink, red chalk, and a trace of brush and red wash

Cleared · Public Domain

live
The MetSimilar
Nun’s Badge with the Virgin of the Immaculate Conception by Nicolás Rodríguez Juárez, The Metropolitan Museum of Art

Nun’s Badge with the Virgin of the Immaculate Conception

Nicolás Rodríguez Juárez (d. 1734)

ca. 1710 · Oil and gold on copper; tortoiseshell and silver frame

Cleared · Public Domain

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The MetSimilar
Virgin of the Immaculate Conception Seated on Clouds, Supported by Four Angels by Pedro  Duque Cornejo, The Metropolitan Museum of Art

Virgin of the Immaculate Conception Seated on Clouds, Supported by Four Angels

Pedro Duque Cornejo (d. 1757)

1700–50 · Black chalk. Lower angel reinforced with pen and dark brown ink. Traces of outline in black chalk along left and right borders of the composition. On off-white paper

Cleared · Public Domain

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The MetSimilar
Virgin of the Immaculate Conception by Fulda Pottery and Porcelain Manufactory, The Metropolitan Museum of Art

Virgin of the Immaculate Conception

Fulda Pottery and Porcelain Manufactory (d. 1789)

ca. 1781 · Hard-paste porcelain

Cleared · Public Domain

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The MetSimilar
The Virgin of the Immaculate Conception by an unrecorded maker, The Metropolitan Museum of Art

The Virgin of the Immaculate Conception

Unrecorded maker

18th century · Ivory, partly gilded and polychromed; halo: silver; eyes: glass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Virgin Appearing to Saint Jerome

Agostino Carracci (d. 1602)

1588 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Virgin of the Immaculate Conception

James McArdell (d. 1765)

1746–65 · Mezzotint

In copyright

live
The MetSimilar

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