
The Immaculate Conception
Guido Reni (d. 1642)
1627 · Oil on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
337 ms. The Metropolitan Museum of Art, Collection API (Open Access)
444 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 141 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Immaculate Conception
Guido Reni (d. 1642)
1627 · Oil on canvas
Cleared · Public Domain
live
Pendant with the Virgin of the Immaculate Conception
Unrecorded maker
first third of the 17th century · Gold, enamel and pearls.
Cleared · Public Domain
live
The Virgin Immaculate Appearing to Four Saints
Ciro Ferri (d. 1689)
1634–89 · Black chalk; squared in black chalk
Cleared · Public Domain
live
Virgin of the Immaculate Conception
Lorenzo Vaccaro (d. 1706)
late 17th century · Bronze, fire-gilt; polychromy, silver
Cleared · Public Domain
live
Design for an Altar with the Virgin of the Immaculate Conception in the Center
Anonymous, Spanish, 17th century (d. 1700)
17th century · Pen and brown ink with brush and brown wash over black chalk
Cleared · Public Domain
live
The Virgin Immaculate and Four Male Saints (Study for The Dispute over the Immaculate Conception)
Carlo Maratti (d. 1713)
1625–1713 · Red chalk on beige paper
Cleared · Public Domain
live
The Virgin Immaculate with the Four Doctors of the Church, Study for the Dispute over the Immaculate Conception
Carlo Maratti (d. 1713)
1625–1713 · Pen and brown ink, red chalk, and a trace of brush and red wash
Cleared · Public Domain
live
Nun’s Badge with the Virgin of the Immaculate Conception
Nicolás Rodríguez Juárez (d. 1734)
ca. 1710 · Oil and gold on copper; tortoiseshell and silver frame
Cleared · Public Domain
live
Virgin of the Immaculate Conception Seated on Clouds, Supported by Four Angels
Pedro Duque Cornejo (d. 1757)
1700–50 · Black chalk. Lower angel reinforced with pen and dark brown ink. Traces of outline in black chalk along left and right borders of the composition. On off-white paper
Cleared · Public Domain
live
The Virgin Immaculate with the Christ Child
Giuseppe Cades (d. 1799)
1770 · Pen and brown ink, brush and brown and gray wash, over black chalk
Cleared · Public Domain
live
Virgin of the Immaculate Conception
Fulda Pottery and Porcelain Manufactory (d. 1789)
ca. 1781 · Hard-paste porcelain
Cleared · Public Domain
live
The Virgin of the Immaculate Conception
Unrecorded maker
18th century · Ivory, partly gilded and polychromed; halo: silver; eyes: glass
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.