
Cameo of the Virgin and Child
Adrien Jean Maximilien Vachette (d. 1839)
ca. 1050–1100 (cameo); ca. 1800 (frame) · Agate cameo, gold frame
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
246 ms. The Metropolitan Museum of Art, Collection API (Open Access)
414 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,779 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cameo of the Virgin and Child
Adrien Jean Maximilien Vachette (d. 1839)
ca. 1050–1100 (cameo); ca. 1800 (frame) · Agate cameo, gold frame
Cleared · Public Domain
live
Virgin and Child in Majesty
Unrecorded maker
c. 1150–1200 · Sculpture, polychrome wood (walnut)
Cleared · CC0
live
The Virgin and Child in Majesty and the Adoration of the Magi
Master of Pedret (d. 1199)
ca. 1100 · Fresco transferred to canvas
Cleared · Public Domain
live
Madonna and Child Enthroned
Master of San Lucchese (d. 1380)
c. 1350 · Painting, tempera and gold on poplar panel
Cleared · CC0
live
Virgin and Child in Majesty
Unrecorded maker
ca. 1175–1200 · Walnut with paint, tin relief on a lead white ground, and linen
Cleared · Public Domain
live
Virgin and Child
Unrecorded maker
ca. 1250 · Elephant ivory
Cleared · Public Domain
live
Enthroned Virgin and Child
Unrecorded maker
ca. 1260–80 · Elephant ivory with traces of paint and gilding
Cleared · Public Domain
live
Virgin and Child
Unrecorded maker
ca. 1340–50 · Limestone with original paint, gilding, and glass
Cleared · Public Domain
live
Virgin and Child
Antonio Rossellino (d. 1479)
model ca. 1475 (cast 19th century) · Copper alloy with gilding; the reverse is hollow; pierced at the top.
Cleared · Public Domain
live
Plaque with the Virgin and Child
Master of the Triptych of Louis XII (d. 1525)
late 15th–early 16th century · Painted enamel, copper
Cleared · Public Domain
live
Virgin and Child
Master of the Female Half-Lengths (d. 1550)
ca. 1525–50 · Oil on wood
Cleared · Public Domain
live
Pendant with the Virgin and Child
Unrecorded maker
probably first half 17th century · Enameled gold set with diamonds and a ruby
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.