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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    121 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    7 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 782 matching records exist across the two collections.

Results for "The Virgin and Christ Child in an Italia"11 records

Institutions answered newest-first by record, interleaved

Icon with the Virgin and Child by an unrecorded maker, The Metropolitan Museum of Art

Icon with the Virgin and Child

Unrecorded maker

mid-10th–mid-11th century · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Cameo of the Virgin and Child by Adrien Jean Maximilien Vachette, The Metropolitan Museum of Art

Cameo of the Virgin and Child

Adrien Jean Maximilien Vachette (d. 1839)

ca. 1050–1100 (cameo); ca. 1800 (frame) · Agate cameo, gold frame

Cleared · Public Domain

live
The MetSimilar
Reliquary Cross with Christ Crucified and the Virgin and Child by an unrecorded maker, The Metropolitan Museum of Art

Reliquary Cross with Christ Crucified and the Virgin and Child

Unrecorded maker

11th century · Copper alloy, niello

Cleared · Public Domain

live
The MetSimilar
Seated Virgin and Child by an unrecorded maker, The Metropolitan Museum of Art

Seated Virgin and Child

Unrecorded maker

ca. 1300–1350 · Walnut with paint and gilding

Cleared · Public Domain

live
The MetSimilar
Virgin and Child by an unrecorded maker, The Metropolitan Museum of Art

Virgin and Child

Unrecorded maker

ca. 1340–50 · Limestone with original paint, gilding, and glass

Cleared · Public Domain

live
The MetSimilar
Virgin and Child by an unrecorded maker, The Metropolitan Museum of Art

Virgin and Child

Unrecorded maker

mid-15th century · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Virgin and Child with Bird by an unrecorded maker, The Metropolitan Museum of Art

Virgin and Child with Bird

Unrecorded maker

mid-15th century · Limestone with polychromy

Cleared · Public Domain

live
The MetSimilar
Virgin and Child by Hans Memling, The Metropolitan Museum of Art

Virgin and Child

Hans Memling (d. 1494)

1480–85 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Virgin and Child in an Apse by Robert Campin, The Metropolitan Museum of Art

Virgin and Child in an Apse

Robert Campin (d. 1444)

1485 · Oil on canvas, transferred from wood

Cleared · Public Domain

live
The MetSimilar
Virgin and Child by Netherlandish (Antwerp?), The Metropolitan Museum of Art

Virgin and Child

Netherlandish (Antwerp?) (d. 1549)

second quarter of the 16th century · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Icon with Virgin and the Christ Child by an unrecorded maker, The Metropolitan Museum of Art

Icon with Virgin and the Christ Child

Unrecorded maker

ca. 1500 or later · Elephant ivory

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.