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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    336 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    381 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 75 matching records exist across the two collections.

Results for "The Virgin from a Pentecost Scene and th"12 records

Institutions answered newest-first by record, interleaved

The Virgin from a Pentecost Scene and the Figure of Saint Martin by an unrecorded maker, The Metropolitan Museum of Art

The Virgin from a Pentecost Scene and the Figure of Saint Martin

Unrecorded maker

ca. 1245–48 · Pot-metal glass and vitreous paint

Cleared · Public Domain

live
The MetSimilar
Two Seated Apostles from a Pentecost Scene by an unrecorded maker, The Metropolitan Museum of Art

Two Seated Apostles from a Pentecost Scene

Unrecorded maker

ca. 1245–48 · Pot-metal glass and vitreous paint

Cleared · Public Domain

live
The MetSimilar
Manuscript Illumination with the Birth of the Virgin in an Initial G, from a Gradual by Don Silvestro de' Gherarducci, The Metropolitan Museum of Art

Manuscript Illumination with the Birth of the Virgin in an Initial G, from a Gradual

Don Silvestro de' Gherarducci (d. 1399)

ca. 1375 · Tempera, ink, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary by Cosmè Tura (Cosimo di Domenico di Bonaventura), The Metropolitan Museum of Art

Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary

Cosmè Tura (Cosimo di Domenico di Bonaventura) (d. 1495)

1450–60 · Tempera, ink, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Mourning Virgin from a Crucifixion Group by an unrecorded maker, The Metropolitan Museum of Art

Mourning Virgin from a Crucifixion Group

Unrecorded maker

1450–75 · Walnut with traces of paint

Cleared · Public Domain

live
The MetSimilar
The Marriage of the Virgin by Davide Ghirlandaio (David Bigordi), The Metropolitan Museum of Art

The Marriage of the Virgin

Davide Ghirlandaio (David Bigordi) (d. 1525)

ca. 1479 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Scenes from the Life of the Virgin by an unrecorded maker, The Metropolitan Museum of Art

Scenes from the Life of the Virgin

Unrecorded maker

ca. 1490–1510 · Wool warp, wool, silk, and metallic wefts

Cleared · Public Domain

live
The MetSimilar
The Virgin with the Child Blessing by Jan Muller, The Metropolitan Museum of Art

The Virgin with the Child Blessing

Jan Muller (d. 1628)

ca. 1593 · Engraving; first state of three, with additions in pen and brown ink

Cleared · Public Domain

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The MetSimilar
The Circumcision, from "The Life of the Virgin" by Hendrick Goltzius, The Metropolitan Museum of Art

The Circumcision, from "The Life of the Virgin"

Hendrick Goltzius (d. 1617)

n.d. · Engraving; third state

Cleared · Public Domain

live
The MetSimilar
The Crucifixion with the Virgin and Saint John by Hendrick ter Brugghen, The Metropolitan Museum of Art

The Crucifixion with the Virgin and Saint John

Hendrick ter Brugghen (d. 1629)

ca. 1624–25 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Virgin by Salvatore di Franco, The Metropolitan Museum of Art

Virgin

Salvatore di Franco (d. 1799)

second half 18th century · Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; silver-gilt halo; silk and linen garments

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bell rubbing with female figure (the Virgin Mary?) from a Crucifixion scene, from Seelübbe, Germany

Unrecorded maker

19th–20th century [bell dated ca. 1450] · Charcoal

In copyright

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The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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