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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    357 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "The Virgin in Glory"6 records

Institutions answered newest-first by record, interleaved

The Virgin in Glory by Master of the Die, The Cleveland Museum of Art

The Virgin in Glory

Master of the Die

1530–60 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Mantle for a Statue of the Virgin with Lotus Blossoms and Medallions by an unrecorded maker, The Cleveland Museum of Art

Mantle for a Statue of the Virgin with Lotus Blossoms and Medallions

Unrecorded maker

c. 1430 · Textile, Silk and gilt-metal thread: lampas weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Mantle for a statue of the Virgin by an unrecorded maker, The Cleveland Museum of Art

Mantle for a statue of the Virgin

Unrecorded maker

late 1400s–1500s · Textile, Silk: lampas weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Madonna and Child in Glory by Isaac Oliver, The Cleveland Museum of Art

Madonna and Child in Glory

Isaac Oliver (d. 1617)

c. 1605–1617 · Portrait Miniature, gouache and watercolor, heightened with gum arabic, with shell gold framing lines, on vellum, mounted on paper, vellum, and wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Annunciation and The Nativity by Jaume Ferrer the Younger, The Cleveland Museum of Art

The Annunciation and The Nativity

Jaume Ferrer the Younger

c. 1457 · Painting, oil, tempera, and gold on wood panel (fir)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Initial G[audeamus omnes] from a Gradual: The Court of Heaven by Don Silvestro dei Gherarducci, The Cleveland Museum of Art

Initial G[audeamus omnes] from a Gradual: The Court of Heaven

Don Silvestro dei Gherarducci (d. 1399)

1371–77 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.