A painting can be out of copyright and thephotograph of it can still be protected.

Standing Female Attendant

Unrecorded maker

late 7th century–early 8th century · Wood with pigment

Female attendant

Unrecorded maker

7th–8th century · Earthenware with traces of pigment

Death of the Virgin

Unrecorded maker

ca. 1450–1500 · Alabaster

Virgin and Child

Master of the Female Half-Lengths (d. 1550)

ca. 1525–50 · Oil on wood

The Virgin and Child with Saint Joseph, Attendant Angels, and a Group of Supplicants

Federico Zuccaro (Zuccari) (d. 1609)

1540/41–1609 · Pen and brown ink, brush and brown wash, over traces of red chalk (recto); black chalk sketch of a nude male torso (verso)

The Virgin and Child with the Infant Baptist, Saint Elizabeth, a Kneeling Prelate, and Three Attendant Angels

Francesco Pinna (d. 1632)

1595–1632 · Pen and black ink, brush and gray wash, highlighted with white on blue washed paper

Study for a Ceiling Decoration: Coronation of the Virgin (recto); Female Head (verso)

Giacinto Brandi (d. 1691)

1680 · Red chalk, brush and brown wash, highlighted with white, on brownish paper (recto); red chalk study of a female head (verso)

The Virgin with Female Attendant Appearing to Four Male Saints

Carlo Maratti (d. 1713)

1680–95 · Pen and brown ink, brush and gray wash, over red chalk

The Virgin and Child Enthroned with Attendant Saints

Antonio Gionima (d. 1732)

1697–1732 · Pen and brown ink, brush and brown wash, over black chalk

Shirabyōshi Dancer and Female Servant; Courtesan and Girl Attendant

Tsukioka Settei (d. 1786)

mid-18th century · Hanging scroll paintings, remounted as a two‑panel folding screen; ink, color, and gold on silk

Buddhist Attendant

Unrecorded maker

late 18th century · Color on paper

Female figure

Ìgbèsànmwà (ivory- and wood- carving guild) artists

18th century · Ivory, iron