
The Visitation
Master Heinrich of Constance (d. 1300)
ca. 1310–20 · Walnut, paint, gilding, rock-crystal cabochons inset in gilded-silver mounts
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
291 ms. The Metropolitan Museum of Art, Collection API (Open Access)
278 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 817 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Visitation
Master Heinrich of Constance (d. 1300)
ca. 1310–20 · Walnut, paint, gilding, rock-crystal cabochons inset in gilded-silver mounts
Cleared · Public Domain
live
Christ Crucified between the Virgin and Saint John
Unrecorded maker
14th century · Sardonyx, rock crystal, gold and enamel mount
Cleared · Public Domain
live
Manuscript Leaf with the Visitation in an Initial A and Cardinal Adam Easton with a Dominican Saint and Saint Dominic, from an Antiphonary
Unrecorded maker
ca. 1400 · Tempera, ink and gold on parchment
Cleared · Public Domain
live
The Visitation Panel from Saint John Retable
Domingo Ram (d. 1507)
15th century · Tempera on wood, gold ground
Cleared · Public Domain
live
The Virgin and Child, Saint Anne, and Saint Emerentia
Unrecorded maker
1515–30 · Limewood, paint and gilding
Cleared · Public Domain
live
The Visitation
Abraham de Bruyn (d. 1587)
1580–1600 · Engraving
Cleared · Public Domain
live
The Visitation of the Virgin to Saint Elizabeth
Giovanni Balducci ("Il Cosci") (d. 1631)
1560–1631 · Pen and brown ink, brush and pale brown wash, over black and red chalk; framing lines in pen and brown ink, squared lightly in black chalk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Visitation, the Virgin and Saint Elizabeth embracing in the center, Saint Joseph and a donkey at left, after Barocci
Gijsbert Van Veen (d. 1628)
1588 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Visitation, the Virgin and Saint Elizabeth embracing in the center, Saint Joseph and a donkey at left, after Barocci
Gijsbert Van Veen (d. 1628)
1588 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Visitation, the Virgin and Saint Elizabeth embracing in the center, Saint Joseph and a donkey at left, after Barocci
Pieter Jalhea Furnius (d. 1610)
1591 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Visitation, the Virgin and Saint Anne embracing, after Barocci
Johann Sadeler I (d. 1601)
ca. 1570–1600 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2: The Visitation of Saint Elizabeth and the Virgin, from "The Mysteries of the Rosary"
Raffaello Schiaminossi (d. 1622)
1602–9 · Etching
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.