The Visitation
Master Heinrich of Constance (d. 1300)
ca. 1310–20 · Walnut, paint, gilding, rock-crystal cabochons inset in gilded-silver mounts
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
1085 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
286 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 476 matching records exist across the two collections.
Results for "The Visitation of the Virgin to Saint El"12 records
Institutions answered newest-first by record, interleaved
Manuscript Leaf with the Visitation in an Initial A and Cardinal Adam Easton with a Dominican Saint and Saint Dominic, from an Antiphonary
Unrecorded maker
ca. 1400 · Tempera, ink and gold on parchment
Cleared · Public Domain
liveThe MetSimilar
Saint Barbara
Unrecorded maker
ca. 1490 · Limewood with paint
Cleared · Public Domain
liveThe MetSimilar
Saint Luke Painting the Virgin
Dirck Vellert (d. 1552)
1526 · Engraving
Cleared · Public Domain
liveThe MetSimilar
The Virgin and Child, Saint Anne, and Saint Emerentia
Unrecorded maker
1515–30 · Limewood, paint and gilding
Cleared · Public Domain
liveThe MetSimilar
The Visitation of the Virgin to Saint Elizabeth; King Solomon in a Niche at Left.
Carlo Urbino (d. 1605)
1510–85 · Pen and brown ink, over black chalk. Framing lines in black chalk and pen and brown ink
Cleared · Public Domain
liveThe MetSimilar
The Visitation
Abraham de Bruyn (d. 1587)
1580–1600 · Engraving
Cleared · Public Domain
liveThe MetSimilar
The Vision of Saint John
El Greco (Domenikos Theotokopoulos) (d. 1614)
ca. 1608–14 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
The Visitation of the Virgin to Saint Elizabeth
Giovanni Balducci ("Il Cosci") (d. 1631)
1560–1631 · Pen and brown ink, brush and pale brown wash, over black and red chalk; framing lines in pen and brown ink, squared lightly in black chalk
Cleared · Public Domain
liveThe MetSimilar
The Apparition of the Virgin of El Pilar to St. James
Nicolás Enríquez (d. 1795)
1773 · Oil on copper
Cleared · Public Domain
liveThe MetSimilar
The Virgin of El Camino with St. Fermín and St. Saturnino
Nicolás Enríquez (d. 1795)
1773 · Oil on copper
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2: The Visitation of Saint Elizabeth and the Virgin, from "The Mysteries of the Rosary"
Raffaello Schiaminossi (d. 1622)
1602–9 · Etching
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.