Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    130 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    338 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,841 matching records exist across the two collections.

Results for "The Wager, No. 2"12 records

Institutions answered newest-first by record, interleaved

The Lovers' Walk, No. 2 by Sir Francis Seymour Haden, The Metropolitan Museum of Art

The Lovers' Walk, No. 2

Sir Francis Seymour Haden (d. 1910)

1864 (?) · Etching and drypoint; first (final) state (Harrington); second state of two (Schneiderman)

Cleared · Public Domain

live
The MetSimilar
The Riva, No. 2 by James McNeill Whistler, The Metropolitan Museum of Art

The Riva, No. 2

James McNeill Whistler (d. 1903)

1879–80 · Etching and drypoint, printed in dark brown ink on fine buff laid paper; only state (Glasgow)

Cleared · Public Domain

live
The MetSimilar
The Traghetto, No. 2 by James McNeill Whistler, The Metropolitan Museum of Art

The Traghetto, No. 2

James McNeill Whistler (d. 1903)

1879–80 · Etching and drypoint, printed in dark brown ink on ivory laid paper; eighth state of nine (Glasgow)

Cleared · Public Domain

live
The MetSimilar
The Traghetto, No. 2 by James McNeill Whistler, The Metropolitan Museum of Art

The Traghetto, No. 2

James McNeill Whistler (d. 1903)

1879–80 · Etching and drypoint; eighth state of nine (Glasgow); printed in dark brown ink on medium weight ivory laid paper

Cleared · Public Domain

live
The MetSimilar
The Duet, No. 2 by James McNeill Whistler, The Metropolitan Museum of Art

The Duet, No. 2

James McNeill Whistler (d. 1903)

1894 · Transfer lithograph; only state (Chicago); printed in black ink on grayish laid China paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Artist under Examination by Sheriff Pringle for publishing "The Wager" Nos. 1 and 2

John Kay (d. 1826)

1792 · Etching and stipple

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Wager, No. 2

John Kay (d. 1826)

1792 · Etching and stipple

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Winter's Day, No. 2

Caroline Watson (d. 1814)

1803 · Aquatint and soft-ground etching on brown paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Dial, No. 2

Charles Haslewood Shannon (d. 1937)

1892 · Illustrations: woodcuts, lithographs, photomechanical process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Brewery, Bruges, No. 2 (Brasserie à Bruges, No. 2)

Sir Frank William Brangwyn (d. 1956)

1906 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fishmarket, Venice, No. 2

Sir Muirhead Bone (d. 1953)

1915 · Drypoint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Blind Man, No. 2

Beatrice Wood (d. 1998)

May 1917 · Illustrations: photomechanical process

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.