Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    350 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    357 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 19 matching records exist across the two collections.

Results for "The Walking Man (L'homme qui marche)"12 records

Institutions answered newest-first by record, interleaved

L'Homme Qui Court (The Running Man), from "Les Caprices" Series A, The Florence Set by Jacques Callot, The Metropolitan Museum of Art

L'Homme Qui Court (The Running Man), from "Les Caprices" Series A, The Florence Set

Jacques Callot (d. 1635)

1617 · Etching

Cleared · Public Domain

live
The MetSimilar
L'Homme qui Court (The Running Man), from "Les Caprices" Series B, The Nancy Set by Jacques Callot, The Metropolitan Museum of Art

L'Homme qui Court (The Running Man), from "Les Caprices" Series B, The Nancy Set

Jacques Callot (d. 1635)

1617–20 · Etching; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
L'Homme qui Court (The Running Man), from Les Caprices Series B, The Nancy Set by Jacques Callot, The Metropolitan Museum of Art

L'Homme qui Court (The Running Man), from Les Caprices Series B, The Nancy Set

Jacques Callot (d. 1635)

1617–20 · Etching; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Copy of L'Homme Qui Court (The Running Man), from "Les Caprices" Series B, The Nancy Set by Anonymous, The Metropolitan Museum of Art

Copy of L'Homme Qui Court (The Running Man), from "Les Caprices" Series B, The Nancy Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Horseback exercises not without hazards, from "The regeneration of man through gymnastics" by Honoré Daumier, The Metropolitan Museum of Art

Horseback exercises not without hazards, from "The regeneration of man through gymnastics"

Honoré Daumier (d. 1879)

November 4, 1865 · Lithograph on newsprint; third state of three (Delteil)

Cleared · Public Domain

live
The MetSimilar
I'm just wondering who might have been the joker who insisted that man was at the pinnacle of creation, from "Summer sketches" by Honoré Daumier, The Metropolitan Museum of Art

I'm just wondering who might have been the joker who insisted that man was at the pinnacle of creation, from "Summer sketches"

Honoré Daumier (d. 1879)

July 24, 1865 · Lithograph on newsprint; second state of two (Delteil)

Cleared · Public Domain

live
The MetSimilar
L'Homme qui court après la Fortune et celui qui l'attend dans son lit by Félix Bracquemond, The Metropolitan Museum of Art

L'Homme qui court après la Fortune et celui qui l'attend dans son lit

Félix Bracquemond (d. 1914)

1886 · Etching; fifth state of five

Cleared · Public Domain

live
The MetSimilar
The Age of Bronze (L'Age d'airain) by Auguste Rodin, The Metropolitan Museum of Art

The Age of Bronze (L'Age d'airain)

Auguste Rodin (d. 1917)

modeled 1876, cast in reduced size 19th century · Bronze

Cleared · Public Domain

live
The MetSimilar
L'Homme Qui Marche by Eugène Druet, The Metropolitan Museum of Art

L'Homme Qui Marche

Eugène Druet (d. 1916)

1907–12 · Gelatin silver print

Cleared · Public Domain

live
The MetSimilar
The Walking Man (L'homme qui marche) by Auguste Rodin, The Metropolitan Museum of Art

The Walking Man (L'homme qui marche)

Auguste Rodin (d. 1917)

modeled before 1900, cast before 1914 · Bronze, green patina

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

L'Homme Qui Court (The Running Man), from Les Caprices Series A, The Florence Set

Jacques Callot (d. 1635)

1617 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Songs of the War (from "Harper's Weekly," Vol. 5, pp. 744-45)

Winslow Homer (d. 1910)

November 23, 1861 · Wood engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.