
Plate 9: Alexander's Triumphal Entry into Babylon, from "The Deeds of Alexander the Great"
Antonio Tempesta (d. 1630)
1608 · Etching, first state of two (Bartsch)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
162 ms. The Metropolitan Museum of Art, Collection API (Open Access)
293 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 998 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate 9: Alexander's Triumphal Entry into Babylon, from "The Deeds of Alexander the Great"
Antonio Tempesta (d. 1630)
1608 · Etching, first state of two (Bartsch)
Cleared · Public Domain
live
Dish: The Walls and Hanging Gardens of Babylon
Unrecorded maker
1898 · Porcelain
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lord Answering Job, plate 7 from "The Story of Job"
Philips Galle (d. 1612)
1563 · Engraving, first state of three (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Walls of Babylon, from The Eight Wonders of the World, plate 7
Philips Galle (d. 1612)
1572 · Engraving, second state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Walls of Babylon, from The Eight Wonders of the World, plate 7
Philips Galle (d. 1612)
1572 · Engraving; first state of three (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Walls of Babylon, plate 7 from "The Eight Wonders of the World"
Philips Galle (d. 1612)
1572 · Engraving; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 4: The Walls of Babylon, from "The Seven Wonders of the World"
Antonio Tempesta (d. 1630)
1608 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 7: Battle in Egypt, from 'The History of Caesar'
Matthäus Merian the Elder (d. 1650)
1610–50 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Upright ornaments from the sides of the pillars and walls in the Loggia of the Vatican, plate 7 from "Loggie de Rafaele nel Vaticano"
Giovanni Ottaviani (d. 1808)
ca. 1770–76 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Upright ornaments from the sides of the pillars and walls in the Loggia of the Vatican, plate 7 from "Loggie de Rafaele nel Vaticano"
Giovanni Ottaviani (d. 1808)
ca. 1770–76 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 7, from "Samarkande"
Emile-Allain Séguy (d. 1951)
ca. 1914 · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 7, from "The Bullfight"
Alfred Van Loen (d. 1993)
1955 · Linocut
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.