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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    342 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    283 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 781 matching records exist across the two collections.

Results for "The Welcome Arrival"12 records

Institutions answered newest-first by record, interleaved

The Arrival in Bethlehem by Master of the Brussels Calling of Saint Matthew, The Metropolitan Museum of Art

The Arrival in Bethlehem

Master of the Brussels Calling of Saint Matthew (d. 1549)

ca. 1540–50 · Oil on wood

Cleared · Public Domain

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The MetSimilar
Welcome panel by Anonymous, Swiss, The Metropolitan Museum of Art

Welcome panel

Anonymous, Swiss (d. 2050)

early 17th century · Stained and enameled glass

Cleared · Public Domain

live
The MetSimilar
Bacchanal: Arrival at the Wine Vat by Joseph Marie Vien, The Metropolitan Museum of Art

Bacchanal: Arrival at the Wine Vat

Joseph Marie Vien (d. 1809)

ca.1755 · pen and brown ink, brush and brown wash

Cleared · Public Domain

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The MetSimilar
The Arrival of the Wine Vat by Joseph Marie Vien, The Metropolitan Museum of Art

The Arrival of the Wine Vat

Joseph Marie Vien (d. 1809)

ca.1755 · Etching

Cleared · Public Domain

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The MetSimilar
The Welcome, from "The Vicar of Wakefield" by Thomas Rowlandson, The Metropolitan Museum of Art

The Welcome, from "The Vicar of Wakefield"

Thomas Rowlandson (d. 1827)

May 1, 1817 · Hand-colored etching and aquatint

Cleared · Public Domain

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The MetSimilar
Welcome Footsteps (Well-known Footsteps) by Sir Lawrence Alma-Tadema, The Metropolitan Museum of Art

Welcome Footsteps (Well-known Footsteps)

Sir Lawrence Alma-Tadema (d. 1912)

May 7, 1883 · Engraving on chine collé

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Arrival Scene

Thomas Rowlandson (d. 1827)

ca. 1820 · Etching; early state

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Welcome Arrival

John Dalbiac Luard (d. 1860)

1863 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Welcome Footsteps (Well-known Footsteps)

Sir Lawrence Alma-Tadema (d. 1912)

1891 · Etching on chine collé; proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Welcome

Paul-Albert Besnard (d. 1934)

1899 · Etching; only state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Prichod Noci

Josef Sudek (d. 1976)

1948–64 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Welcome to the Wadsworth

Andrea Fraser (d. 9999)

1991 · Single-channel digital video, transferred from Hi-8 tape, color, sound, 25 min.

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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