
Kneeling captive
Unrecorded maker
ca. 2246–2152 BCE · Limestone, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
592 ms. The Metropolitan Museum of Art, Collection API (Open Access)
322 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 20,706 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Kneeling captive
Unrecorded maker
ca. 2246–2152 BCE · Limestone, paint
Cleared · Public Domain
live
Isfandiyar slays Arjasp, the king of Turan, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)
Haidar Kashmiri
1600–1605 · Painting, Gum tempera, ink, and gold on paper
Cleared · CC0
live
Statue of Kneeling Captive
Unrecorded maker
ca. 2246–2152 BCE · Limestone, paint
Cleared · Public Domain
live
Figure of an Asiatic captive
Unrecorded maker
ca. 1300–1080 BCE · Ivory, red and pink pigment, white ground
Cleared · Public Domain
live
Four Captive Demons
Unrecorded maker
1470–1500 · Watercolor and gold on silk
Cleared · Public Domain
live
The Captive, from "Sterne's Sentimental Journey"
Robert Blyth (d. 1784)
November 1, 1781 · Etching
Cleared · Public Domain
live
A Captive Family
Robert Blyth (d. 1784)
ca. 1783 · Etching; state before letters
Cleared · Public Domain
live
The Captive, from "Illustrated London News"
H. Harrison (d. 1848)
April 15, 1848 · Wood engraving
Cleared · Public Domain
live
The White Captive
Erastus Dow Palmer (d. 1904)
1857–58; carved 1858–59 · Marble
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Christ Taken Captive, from "The Passion"
Sebald Beham (d. 1550)
1535 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Captive
Sybil Andrews (d. 1992)
1932 · Color linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Theatrical costume for captive Portuguese women
Vincente Minnelli (d. 1986)
1933–39 · Watercolor over graphite with textile swatch
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.