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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    592 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    322 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 20,706 matching records exist across the two collections.

Results for "The White Captive"12 records

Institutions answered newest-first by record, interleaved

Kneeling captive by an unrecorded maker, The Metropolitan Museum of Art

Kneeling captive

Unrecorded maker

ca. 2246–2152 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Isfandiyar slays Arjasp, the king of Turan, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) by Haidar Kashmiri, The Cleveland Museum of Art

Isfandiyar slays Arjasp, the king of Turan, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)

Haidar Kashmiri

1600–1605 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Statue of Kneeling Captive by an unrecorded maker, The Metropolitan Museum of Art

Statue of Kneeling Captive

Unrecorded maker

ca. 2246–2152 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Figure of an Asiatic captive by an unrecorded maker, The Metropolitan Museum of Art

Figure of an Asiatic captive

Unrecorded maker

ca. 1300–1080 BCE · Ivory, red and pink pigment, white ground

Cleared · Public Domain

live
The MetSimilar
Four Captive Demons by an unrecorded maker, The Metropolitan Museum of Art

Four Captive Demons

Unrecorded maker

1470–1500 · Watercolor and gold on silk

Cleared · Public Domain

live
The MetSimilar
The Captive, from "Sterne's Sentimental Journey" by Robert Blyth, The Metropolitan Museum of Art

The Captive, from "Sterne's Sentimental Journey"

Robert Blyth (d. 1784)

November 1, 1781 · Etching

Cleared · Public Domain

live
The MetSimilar
A Captive Family by Robert Blyth, The Metropolitan Museum of Art

A Captive Family

Robert Blyth (d. 1784)

ca. 1783 · Etching; state before letters

Cleared · Public Domain

live
The MetSimilar
The Captive, from "Illustrated London News" by H. Harrison, The Metropolitan Museum of Art

The Captive, from "Illustrated London News"

H. Harrison (d. 1848)

April 15, 1848 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
The White Captive by Erastus Dow Palmer, The Metropolitan Museum of Art

The White Captive

Erastus Dow Palmer (d. 1904)

1857–58; carved 1858–59 · Marble

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Christ Taken Captive, from "The Passion"

Sebald Beham (d. 1550)

1535 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Captive

Sybil Andrews (d. 1992)

1932 · Color linocut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Theatrical costume for captive Portuguese women

Vincente Minnelli (d. 1986)

1933–39 · Watercolor over graphite with textile swatch

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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