Gilded-wood bench
Thomas Hope (d. 1831)
before 1807 · Gilded mahogany, modern wool cover and silk trims
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
736 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
352 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 20,919 matching records exist across the two collections.
Results for "The White Hope"12 records
Institutions answered newest-first by record, interleaved
The White Hope
George Bellows (d. 1925)
1921 · Print, lithograph
Cleared · CC0
liveCleveland Museum of ArtSimilar
Side chair (part of a set)
Thomas Hope (d. 1831)
ca. 1820 · Mahogany
Cleared · Public Domain
liveThe MetSimilar
Sixth Tier for a Flower Pyramid
Adrianus Kocx (d. 1701)
c. 1690 · Ceramic, Tin-glazed earthenware, painted in blue
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Chandelier
Thomas Hope (d. 1831)
ca. 1802 · Carved and gilded wood, with gilded metals (iron and brass or bronze).
In copyright
liveThe MetSimilar
Fifth Tier for a Flower Pyramid
Adrianus Kocx (d. 1701)
c. 1690 · Ceramic, Tin-glazed earthenware, painted in blue
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The White Hope
George Bellows (d. 1925)
1921 · Lithograph
In copyright
liveThe MetSimilar
First Tier for a Flower Pyramid
Adrianus Kocx (d. 1701)
c. 1690 · Ceramic, Tin-glazed earthenware, painted in blue
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hope for the Future
Charles Wilbert White (d. 1979)
1945 · Lithograph
In copyright
liveThe MetSimilar
Fourth Tier for a Flower Pyramid
Adrianus Kocx (d. 1701)
c. 1690 · Ceramic, Tin-glazed earthenware, painted in blue
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hope for the Future
Charles Wilbert White (d. 1979)
1946 · Lithograph
In copyright
liveThe MetSimilar
Third Tier for a Flower Pyramid
Adrianus Kocx (d. 1701)
c. 1690 · Ceramic, Tin-glazed earthenware, painted in blue
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.