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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    322 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "The White Nun"8 records

Institutions answered newest-first by record, interleaved

Heddle Pulley (Bo Nun Amuin mask) by an unrecorded maker, The Cleveland Museum of Art

Heddle Pulley (Bo Nun Amuin mask)

Unrecorded maker

1900s · Tools and Equipment, Wood, metal, and plant fiber

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Two nuns teaching lay women, colophon page of folio 167 (recto) from a Kalpa-sutra and Story of Kalakacharya by an unrecorded maker, The Cleveland Museum of Art

Two nuns teaching lay women, colophon page of folio 167 (recto) from a Kalpa-sutra and Story of Kalakacharya

Unrecorded maker

1278 · Painting, Gum tempera and ink on palm leaf

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Nuns by an unrecorded maker, The Cleveland Museum of Art

Nuns

Unrecorded maker

mid-1800s · Drawing, black and white chalk on gray laid paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Death of the Virgin by Master of Heiligenkreuz, The Cleveland Museum of Art

Death of the Virgin

Master of Heiligenkreuz

c. 1400 · Painting, tempera and oil with gold on panel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Jain monk with disciple and two laymen, two nuns, and a laywoman, folio 22 (recto) from a Yoga-shastra of Hemachandra by an unrecorded maker, The Cleveland Museum of Art

Jain monk with disciple and two laymen, two nuns, and a laywoman, folio 22 (recto) from a Yoga-shastra of Hemachandra

Unrecorded maker

c. 1275 · Painting, Gum tempera and ink on palm leaf

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Letter of Admission, Interior of a Convent by François Bonvin, The Cleveland Museum of Art

The Letter of Admission, Interior of a Convent

François Bonvin (d. 1887)

c. 1867 · Drawing, black, white, and red crayon

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Text, Folio 46 (verso), from a Kalpa-sutra by an unrecorded maker, The Cleveland Museum of Art

Text, Folio 46 (verso), from a Kalpa-sutra

Unrecorded maker

c. 1500 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Parshva Undergoes Physical Trials, Folio 46 (recto), from a Kalpa-sutra by an unrecorded maker, The Cleveland Museum of Art

Parshva Undergoes Physical Trials, Folio 46 (recto), from a Kalpa-sutra

Unrecorded maker

c. 1500 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.