
The Sacrifice of Jephthah's Daughter
Massimiliano Soldani (d. 1740)
modeled 1722, probably cast 1730–35 · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
949 ms. The Metropolitan Museum of Art, Collection API (Open Access)
264 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,689 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Sacrifice of Jephthah's Daughter
Massimiliano Soldani (d. 1740)
modeled 1722, probably cast 1730–35 · Bronze
Cleared · Public Domain
live
The Daughter of Jephthah
Charles Antoine Coypel (d. 1752)
1710–50 · Black chalk and stumping, heightened with white chalk, on blue paper; squared in black chalk
Cleared · Public Domain
live![[The Photographer's Daughter] by William Henry Fox Talbot, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP148637.jpg)
[The Photographer's Daughter]
William Henry Fox Talbot (d. 1877)
ca. 1842 · Salted paper print from paper negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Witch's Procession (Lo Stregozzo)
Agostino Veneziano (Agostino dei Musi) (d. 1536)
ca. 1514–36 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Witch and the Mandrake (Ben Jonson, "Witch's Song," Masque of Queens)
Henry Fuseli (d. 1825)
1812 · Soft-ground etching; proof before letters
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fisherman's Daughter
Joseph Andrews (d. 1873)
1829–37 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Stonebreaker's Daughter
Sir Edwin Henry Landseer (d. 1873)
February 1, 1844 · Mixed method engraving on chine collé; proof before title
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Miller's Daughter
Alfred Tennyson (d. 1892)
1857 · Steel engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Witch's Daughter
Frederick Stuart Church (d. 1924)
1881 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Watchman's Daughter
Boardman Robinson (d. 1952)
ca. 1920 · Pen and ink, wash on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Farmer's Daughter
Thomas Hart Benton (d. 1975)
1944 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Daughter of the Revolution
Hung Liu (d. 2021)
1993 · Oil on canvas, wood and glass
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.