
The Wolf and the Lamb (La Fontaine fable)
Jean-Baptiste Huet I (d. 1811)
1804 · Cotton
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
280 ms. The Metropolitan Museum of Art, Collection API (Open Access)
530 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 510 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Wolf and the Lamb (La Fontaine fable)
Jean-Baptiste Huet I (d. 1811)
1804 · Cotton
Cleared · Public Domain
live
The Wolf and the Lamb (La Fontaine fable)
Jean-Baptiste Huet I (d. 1811)
early 19th century · Cotton
Cleared · Public Domain
live
The Baby's Opera, A Book of Old Rhymes with New Dresses... the Music by the Earliest Masters
Walter Crane (d. 1915)
1877 · Illustrations: wood engraving, printed in color
Cleared · Public Domain
live![Design for Trade Card [The Sun Life Assurance Society] by Walter Crane, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP801077.jpg)
Design for Trade Card [The Sun Life Assurance Society]
Walter Crane (d. 1915)
1880–89 · Pen and brown ink over graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Book with Cover Showing Head of Christ and the Symbols of the Four Evangelists, from the "Halle Book of Relics"
Wolf Traut (d. 1520)
1520 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Wolf and the Lamb (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Wenceslaus Hollar (d. 1677)
1664 · Etching; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Wolf, the Lamb, and the Crane (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Wenceslaus Hollar (d. 1677)
1665 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Toy Books: My Mother, Valentine and Orson, The Sleeping Beauty
Walter Crane (d. 1915)
1873, 1874, 1876 · Illustrations: wood engraving, printed in colors
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Masque of Days: From the Last Essays of Elia
Charles Lamb (d. 1834)
1901 · Illustrations: color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Masque of Days: From the Last Essays of Elia : Newly Dressed & Decorated by Walter Crane
Charles Lamb (d. 1834)
1901 · Illustrations: color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Contact Sheet: Walker Evans at Home, in the Studio, and Photographing]
Arnold Crane (d. 2014)
1971 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Contact Sheet: Walker Evans at Home, in the Studio, and Photographing]
Arnold Crane (d. 2014)
1971 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.