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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    287 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    339 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 33,487 matching records exist across the two collections.

Results for "The Woman in White"12 records

Institutions answered newest-first by record, interleaved

The Woman in White by William Harcourt Hooper, The Metropolitan Museum of Art

The Woman in White

William Harcourt Hooper (d. 1912)

1871 · Wood engraving; proof

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman by Rembrandt van Rijn, The Cleveland Museum of Art

Portrait of a Woman

Rembrandt van Rijn (d. 1669)

1635 or earlier · Painting, oil on wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman in White

Howard Chandler Christy (d. 1952)

1906 · Pastel and watercolor on cardboard

In copyright

live
The MetSimilar
Portrait of a Woman by Gerard ter Borch, The Cleveland Museum of Art

Portrait of a Woman

Gerard ter Borch (d. 1681)

c. 1665 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Experiment 27

Clarence H. White (d. 1925)

1907, printed 1907–9 · Platinum print

In copyright

live
The MetSimilar
A Young Woman Buying a Pink from a Young Man by Giovanni Battista Piazzetta, The Cleveland Museum of Art

A Young Woman Buying a Pink from a Young Man

Giovanni Battista Piazzetta (d. 1754)

c. 1740 · Drawing, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Experiment 27

Clarence H. White (d. 1925)

1907, printed 1909 · Photogravure

In copyright

live
The MetSimilar
Study of a Nude Woman, Seated Looking to the Right (recto) by Pierre-Paul Prud'hon, The Cleveland Museum of Art

Study of a Nude Woman, Seated Looking to the Right (recto)

Pierre-Paul Prud'hon (d. 1823)

c. 1810 · Drawing, black and white chalk (both stumped)

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Experiment 28

Clarence H. White (d. 1925)

1907, printed 1907–9 · Platinum print

In copyright

live
The MetSimilar
White Flower by Georgia O'Keeffe, The Cleveland Museum of Art

White Flower

Georgia O'Keeffe (d. 1986)

1929 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Experiment 28

Clarence H. White (d. 1925)

1907, printed 1909 · Photogravure

In copyright

live
The MetSimilar
Study of a Nude Woman, Seated Looking to the Right (recto) Study of a Male Nude (verso) by Pierre-Paul Prud'hon, The Cleveland Museum of Art

Study of a Nude Woman, Seated Looking to the Right (recto) Study of a Male Nude (verso)

Pierre-Paul Prud'hon (d. 1823)

c. 1810 · Drawing, black and white chalk (both stumped)

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.