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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    281 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    251 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 49 matching records exist across the two collections.

Results for "The Woodman"12 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Woodman (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)

Wenceslaus Hollar (d. 1677)

1665 · Etching; only state

In copyright

live
The MetSimilar
The Woodman by William Strang, The Cleveland Museum of Art

The Woodman

William Strang (d. 1921)

1881 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Woodman

Francesco Bartolozzi (d. 1815)

June 1, 1792 · Stipple engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Blueprint for a Temple (I)

Francesca Woodman (d. 1981)

1980 · Diazo collage

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled

Francesca Woodman (d. 1981)

ca. 1980 · Diazotype

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maquette for "Orpheus and Eurydice"

Timothy Woodman (d. 2018)

1983 · Cut and pasted painted papers and opaque watercolor on foamcore board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sea of Japan Pillow Pitcher

Betty Woodman (d. 2018)

1985 · Glazed white earthenware

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jazzy Napkin Holder

Betty Woodman (d. 2018)

1985–86 · Ceramic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Colorado Spring Vase

Betty Woodman (d. 2018)

1997 · Glazed earthenware, epoxy resin, lacquer, and paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Gion Visitors

Betty Woodman (d. 2018)

2001 · Clay, ink, wax, watercolor, and dye on handmade Indian paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Deco Lake Shore

Betty Woodman (d. 2018)

2002 · Acrylic, colored pencil, terra tigillata, and wax over graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Ming Sisters

Betty Woodman (d. 2018)

2003 · Glazed earthenware, epoxy resin, lacquer and paint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.