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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    499 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    508 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "The Wounded (Der Verletzte)"7 records

Institutions answered newest-first by record, interleaved

The Lamentation by an unrecorded maker, The Metropolitan Museum of Art

The Lamentation

Unrecorded maker

ca. 1480 · Walnut with paint and gilding

Cleared · Public Domain

live
The MetSimilar
Christ Appearing to His Mother by Juan de Flandes, The Metropolitan Museum of Art

Christ Appearing to His Mother

Juan de Flandes (d. 1519)

ca. 1496 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
The Descent from the Cross by Master of the Holy Blood, The Metropolitan Museum of Art

The Descent from the Cross

Master of the Holy Blood (d. 1525)

1525 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
The Battle of Diomedes and Aeneas (from the Story of Achilles) by Jan van Orley, The Metropolitan Museum of Art

The Battle of Diomedes and Aeneas (from the Story of Achilles)

Jan van Orley (d. 1735)

ca. 1720–30 · Pen and brown ink, brush and gray ink, heightened with white chalk, on blue paper; framing line in pen and brown ink, by the artist

Cleared · Public Domain

live
The MetSimilar
Watch with portrait of Friedrick Wilhelm, the Great Elector by Johann G. Racine, The Metropolitan Museum of Art

Watch with portrait of Friedrick Wilhelm, the Great Elector

Johann G. Racine (d. 1748)

case ca. 1688, movement ca. 1750 · Case: painted enamel on gold; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Allgemeines historisches Taschenbuch, oder Abriss der merkwürdigsten neuen Welt-Begebenheiten: enthaltend für 1784 die Geschichte der Revolution von Nord-America [General historical pocketbook, summarizing noteworthy world news of 1784, with a History of the Revolution in North America] by Matthias Christian Sprengel, The Metropolitan Museum of Art

Allgemeines historisches Taschenbuch, oder Abriss der merkwürdigsten neuen Welt-Begebenheiten: enthaltend für 1784 die Geschichte der Revolution von Nord-America [General historical pocketbook, summarizing noteworthy world news of 1784, with a History of the Revolution in North America]

Matthias Christian Sprengel (d. 1803)

1784–87 · Illustrations: etching and engraving, some hand-colored; pen and ink and wash drawings

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Wounded (Der Verletzte)

Ernst Barlach (d. 1938)

1912 · Lithograph

In copyright

live
The MetSimilar

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