
The Wounded Lion
James Gillray (d. 1815)
July 16, 1805 · Hand-colored etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
107 ms. The Metropolitan Museum of Art, Collection API (Open Access)
304 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,060 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Wounded Lion
James Gillray (d. 1815)
July 16, 1805 · Hand-colored etching
Cleared · Public Domain
live
Maharana Jagat Singh II Hunting
Jugarsi, son of Jiva
1747 · Painting, Gum tempera and gold on paper
Cleared · CC0
live
Rebecca and the Wounded Ivanhoe
Eugène Delacroix (d. 1863)
1823 · Oil on canvas
Cleared · Public Domain
live
St. Francis of Assisi Receiving the Stigmata
Bicci di Lorenzo (d. 1452)
c. 1430 · Painting, tempera and gold on wood
Cleared · CC0
live
The Wounded Bear
Emmanuel Frémiet (d. 1910)
ca. 1850 · Cast terracotta
Cleared · Public Domain
live
Wounded to the Rear / One More Shot
John Rogers (d. 1904)
1864; cast 1865 · Bronze
Cleared · Public Domain
live
The wounded comrade
Nicholas Shiels (d. 1900)
1884–89 · Brush and brown wash
Cleared · Public Domain
live
The Wounded Bunkie
Frederic Remington (d. 1909)
1896, cast before 1939 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wounded Stag in the Water
Sir Edwin Henry Landseer (d. 1873)
December 1, 1861 · Mixed method engraving on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Wounded Playfellow
John George Brown (d. 1913)
1884 · Pen and India ink (carbon) on wove paper, laid on paper board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Wounded (Der Verletzte)
Ernst Barlach (d. 1938)
1912 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Battle of the Little Bighorn
Standing Bear/ Mató Nájin (d. 1933)
ca. 1920 · Pencil, ink, and watercolor on muslin
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.