
Fragment of a terracotta vase
Lion Painter
ca. 630–620 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
157 ms. The Metropolitan Museum of Art, Collection API (Open Access)
391 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,988 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragment of a terracotta vase
Lion Painter
ca. 630–620 BCE · Terracotta
Cleared · Public Domain
live
Earring with lion-griffin terminal
Unrecorded maker
4th–3rd century BCE · Gold
Cleared · Public Domain
live
Earrings with lion-griffin terminal
Unrecorded maker
4th–3rd century BCE · Gold
Cleared · Public Domain
live
"Prince Killing a Lion", Folio from the Davis Album
'Ali Riza 'Abbasi (d. 1675)
17th century · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
The Wounded Lion
James Gillray (d. 1815)
July 16, 1805 · Hand-colored etching
Cleared · Public Domain
live
The Wounded Bear
Emmanuel Frémiet (d. 1910)
ca. 1850 · Cast terracotta
Cleared · Public Domain
live
The wounded comrade
Nicholas Shiels (d. 1900)
1884–89 · Brush and brown wash
Cleared · Public Domain
live
The Wounded Bunkie
Frederic Remington (d. 1909)
1896, cast before 1939 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
David with the Bear and the Lion, Amidst a Flock of Sheep
David Vinckboons (d. 1629)
1608 · Engraving and etching; third state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Wounded Playfellow
John George Brown (d. 1913)
1884 · Pen and India ink (carbon) on wove paper, laid on paper board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Wounded (Der Verletzte)
Ernst Barlach (d. 1938)
1912 · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.