
Virgin of the Apocalypse
Master of the Amsterdam Cabinet (d. 1550)
ca. 1480–90 · Colorless glass, silver stain, and vitreous paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
354 ms. The Metropolitan Museum of Art, Collection API (Open Access)
389 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,656 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Virgin of the Apocalypse
Master of the Amsterdam Cabinet (d. 1550)
ca. 1480–90 · Colorless glass, silver stain, and vitreous paint
Cleared · Public Domain
live
On the Y, Amsterdam
Muirhead Bone (d. 1953)
1913 · Print, drypoint
Cleared · CC0
live
Cup with cover
Hans van Amsterdam (d. 1565)
1533/34 · Gilded silver, coconut shell
Cleared · Public Domain
live
The Personification of Amsterdam Riding in Neptune's Chariot
Ludolf Backhuysen (d. 1708)
1701 · Portfolio, etching
Cleared · CC0
liveViolin Bow
Amsterdam School
ca. 1740 · Snakewood, ivory, horsehair
Cleared · Public Domain
live
Thesis Proclamation of José Vicente Maldonado y Trespalacios, dedicated to the Virgin of Guadalupe
Baltasar Troncoso y Sotomayor (d. 1791)
1756 · Woodcut, letterpress and engraving (image of the Virgin) printed on white silk with a decorative metalic thread border backed with a panel of red silk.
Cleared · Public Domain
live
The Attributes of the Virgin
Ramón Bayeu y Subías (d. 1793)
after 1780 · Etching
Cleared · Public Domain
live
Sampler
Diaconieweeshuis, Amsterdam
18th century · Silk on linen
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St John the Baptist in the Wilderness
Ramón Bayeu y Subías (d. 1793)
after 1780 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Y, Amsterdam
Sir David Young Cameron (d. 1945)
1892 · Etching; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Catalana, Fábrica de mosaicos hedráulicos, mármoles, camprimidos y trabajos con cemento y Portland
José Simón y Radó
1900
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
On the Y, Amsterdam
Sir Muirhead Bone (d. 1953)
1914 · Drypoint; printed with plate tone, especially along bottom of image
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.