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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    189 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    369 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,368 matching records exist across the two collections.

Results for "The altar of sacrifice, from a suite of"12 records

Institutions answered newest-first by record, interleaved

Sacrifice to Priapus by Cristoforo di Geremia, The Metropolitan Museum of Art

Sacrifice to Priapus

Cristoforo di Geremia (d. 1476)

model ca. 1470 (possibly cast 16th century) · Copper alloy with dull brown patina.

Cleared · Public Domain

live
The MetSimilar
Altar Ring by Lower Niger Valley caster, The Metropolitan Museum of Art

Altar Ring

Lower Niger Valley caster

16th century · Copper alloy

Cleared · Public Domain

live
The MetSimilar
The Sacrifice of Iphigenia by Pietro Testa, The Metropolitan Museum of Art

The Sacrifice of Iphigenia

Pietro Testa (d. 1650)

ca. 1640–42 · Etching with drypoint

Cleared · Public Domain

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The MetSimilar
The Sacrifice of Polyxena by Charles Le Brun, The Metropolitan Museum of Art

The Sacrifice of Polyxena

Charles Le Brun (d. 1690)

1647 · Oil on canvas

Cleared · Public Domain

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The MetSimilar
The Sacrifice of Polyxena by Giovanni Francesco Romanelli, The Metropolitan Museum of Art

The Sacrifice of Polyxena

Giovanni Francesco Romanelli (d. 1662)

1662 · Oil on canvas

Cleared · Public Domain

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The MetSimilar
The Sacrifice of Iphigenia by Gaetano Gandolfi, The Metropolitan Museum of Art

The Sacrifice of Iphigenia

Gaetano Gandolfi (d. 1802)

1789 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Noah's Sacrifice, from "Illustrated London News" by Charles Cheltnam, The Metropolitan Museum of Art

Noah's Sacrifice, from "Illustrated London News"

Charles Cheltnam (d. 1857)

December 1, 1849 · Wood engraving

Cleared · Public Domain

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The MetSimilar
Altar Ring by Edo, Yoruba, or Lower Niger Valley caster, The Metropolitan Museum of Art

Altar Ring

Edo, Yoruba, or Lower Niger Valley caster

17th–19th century · Brass

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Sacrifice at the Altar of Apollo, from The Fall of Troy, plate 6

Pieter Jalhea Furnius (d. 1610)

ca. 1571 · Engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The altar of sacrifice, from a suite of ornament designs with grotesques, allegories and deities

Etienne Delaune (d. 1583)

before 1573 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The altar of sacrifice, from a suite of ornament designs with grotesques, allegories and deities

Etienne Delaune (d. 1583)

before 1573 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fresco from the facade of Palazzo Milesi in Rome; sacrifice of a child

Polidoro da Caravaggio (d. 1548)

17th century (third quarter) · Etching

In copyright

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The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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