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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    853 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    313 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 322 matching records exist across the two collections.

Results for "The cabinet-maker and upholsterer's draw"12 records

Institutions answered newest-first by record, interleaved

Settee by an unrecorded maker, The Metropolitan Museum of Art

Settee

Unrecorded maker

ca. 1800 · Ash, cherry, white pine

Cleared · Public Domain

live
The MetSimilar
Side Chair by an unrecorded maker, The Metropolitan Museum of Art

Side Chair

Unrecorded maker

ca. 1800 · Ash, cherry, white pine

Cleared · Public Domain

live
The MetSimilar
Side Chair by an unrecorded maker, The Metropolitan Museum of Art

Side Chair

Unrecorded maker

ca. 1800 · Ash, cherry, white pine

Cleared · Public Domain

live
The MetSimilar
Pair of armchairs by an unrecorded maker, The Metropolitan Museum of Art

Pair of armchairs

Unrecorded maker

ca. 1800 · West Indian satinwood, seat rails of beech, modern silk

Cleared · Public Domain

live
The MetSimilar
Side Chair by an unrecorded maker, The Metropolitan Museum of Art

Side Chair

Unrecorded maker

1795–1805 · Mahogany, ash

Cleared · Public Domain

live
The MetSimilar
Sofa by Samuel McIntire, The Metropolitan Museum of Art

Sofa

Samuel McIntire (d. 1811)

ca. 1800 · Mahogany, white pine, birch

Cleared · Public Domain

live
The MetSimilar
Writing Table by an unrecorded maker, The Metropolitan Museum of Art

Writing Table

Unrecorded maker

1795–1805 · Mahogany, satinwood, ebony stringing, tulip poplar, pine

Cleared · Public Domain

live
The MetSimilar
Armchair by Henry Connelly, The Metropolitan Museum of Art

Armchair

Henry Connelly (d. 1826)

1800–1810 · Mahogany, ash

Cleared · Public Domain

live
The MetSimilar
Gentleman’s secretary by Nehemiah Adams, The Metropolitan Museum of Art

Gentleman’s secretary

Nehemiah Adams (d. 1840)

1800–1810 · Mahogany, mahogany veneer, satinwood with white pine

Cleared · Public Domain

live
The MetSimilar
Sofa by Samuel McIntire, The Metropolitan Museum of Art

Sofa

Samuel McIntire (d. 1811)

1800–1810 · Mahogany, white pine, birch

Cleared · Public Domain

live
The MetSimilar
Astragal-end Work Table by an unrecorded maker, The Metropolitan Museum of Art

Astragal-end Work Table

Unrecorded maker

1805–15 · Mahogany, rosewood, Spanish cedar, white pine, poplar

Cleared · Public Domain

live
The MetSimilar
Pier table by Joseph B. Barry and Son, The Metropolitan Museum of Art

Pier table

Joseph B. Barry and Son (d. 1838)

1810–15 · Mahogany, mahogany veneer, satinwood, amboyna, pine, gilt bronze with yellow poplar

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.