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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    250 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    315 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 78 matching records exist across the two collections.

Results for "The conversion of St Paul, an illustrati"12 records

Institutions answered newest-first by record, interleaved

The Conversion of Saint Paul by Andrea Vanni, The Metropolitan Museum of Art

The Conversion of Saint Paul

Andrea Vanni (d. 1413)

probably 1380s · Tempera on wood, gold ground

Cleared · Public Domain

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The MetSimilar
The Conversion of St. Paul by Anonymous, German, 15th century, The Metropolitan Museum of Art

The Conversion of St. Paul

Anonymous, German, 15th century (d. 1500)

15th century · Niello

Cleared · Public Domain

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The MetSimilar
The Conversion of St. Paul by Lucas van Leyden, The Metropolitan Museum of Art

The Conversion of St. Paul

Lucas van Leyden (d. 1533)

1509 · Engraving

Cleared · Public Domain

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The MetSimilar
The Conversion of Saul by Maarten van Heemskerck, The Metropolitan Museum of Art

The Conversion of Saul

Maarten van Heemskerck (d. 1574)

1549 · Etching

Cleared · Public Domain

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The MetSimilar
The Conversion of St. Paul by Melchior Bocksberger, The Metropolitan Museum of Art

The Conversion of St. Paul

Melchior Bocksberger (d. 1587)

16th century · Pen and brown ink, brush and blue watercolor

Cleared · Public Domain

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The MetSimilar
The Conversion of Saint Paul by Ludovico Carracci, The Metropolitan Museum of Art

The Conversion of Saint Paul

Ludovico Carracci (d. 1619)

ca. 1587–89 · Pen and brown ink, brush and brown wash, heightened with white gouache and cream color oil paint, over black chalk, on paper toned with light brown wash

Cleared · Public Domain

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The MetSimilar
Conversion of St. Paul by Laurent de La Hyre, The Metropolitan Museum of Art

Conversion of St. Paul

Laurent de La Hyre (d. 1656)

1640 · Engraving

Cleared · Public Domain

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The MetSimilar
Conversion of St. Paul by Laurent de La Hyre, The Metropolitan Museum of Art

Conversion of St. Paul

Laurent de La Hyre (d. 1656)

ca. 1637 · Etching

Cleared · Public Domain

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The MetSimilar
The Conversion of St. Paul (recto); The Execution of the Prisoner (verso) by Dominik Kindermann, The Metropolitan Museum of Art

The Conversion of St. Paul (recto); The Execution of the Prisoner (verso)

Dominik Kindermann (d. 1817)

18th–early 19th century · Pen and brown ink, brush and brown wash, heightened with white gouache, over black chalk (recto); black chalk (verso)

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Conversion of St. Paul

Luca Cambiaso (d. 1585)

1560–85 · Chiaroscuro woodcut from three blocks in brown

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Conversion de St. Paul (The Conversion of St. Paul), from "Le Nouveau Testament" (The New Testament)

Jacques Callot (d. 1635)

1635 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Conversion de St. Paul (The Conversion of St. Paul), plate 10 from "Le Nouveau Testament" (The New Testament)

Jacques Callot (d. 1635)

1635 · Etching; second state of two (Lieure)

In copyright

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The MetSimilar

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