The Omval
Rembrandt (Rembrandt van Rijn) (d. 1669)
1645 · Etching and drypoint; second state of two
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
203 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
362 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 94 matching records exist across the two collections.
Results for "The cow lying down near a tree"12 records
Institutions answered newest-first by record, interleaved
The cow lying down near a tree
Paulus Potter (d. 1654)
1640–54 · Print, etching
Cleared · CC0
liveCleveland Museum of ArtSimilar
Plate 10: a horse lying down, a cow and two goats, two seated shepherds, a waterfall and a mountain in the background, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella (d. 1664)
ca. 1643–48 · Etching
Cleared · Public Domain
liveThe MetSimilar
A horse lying down at center, a cow and two goats at right, two seated shepherds to left, a waterfall and a mountain at left in the background, plate 10 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella (d. 1664)
ca. 1646 · Etching; fourth state of nine (Talbierska)
Cleared · Public Domain
liveThe MetSimilar
Cow, adult sheep, and young sheep lying in the grass; beyond, a shepherd stands partially behind a tree
Karel Dujardin (d. 1678)
1656 · Etching
Cleared · Public Domain
liveThe MetSimilar
A landscape with an old oak (or beech) tree
Joseph Mallord William Turner (d. 1851)
ca. 1796 · Watercolor over graphite
Cleared · Public Domain
liveThe MetSimilar
Trees by the lake, Peamore Park, near Exeter, Devon
Francis Towne (d. 1816)
1790–1810 · Watercolor over traces of graphite; laid down on original mount
Cleared · Public Domain
liveThe MetSimilar
Bonchurch Downs
John Brett (d. 1902)
December 1865 · Watercolor
Cleared · Public Domain
liveThe MetSimilar
Cow lying down
Unrecorded maker
second half 18th–mid-19th century · Terracotta
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adam and Eve Eating the Forbidden Fruit (Adam et Eve mangeant le fruit défendu)
Etienne Delaune (d. 1583)
ca. 1569 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of the Balloon of Mr. Sadler's
Anonymous, British, early 19th century (d. 1850)
ca. 1811 · Etching and aquatint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Three-Tree Farm
Sir Francis Seymour Haden (d. 1910)
1879 · Drypoint; first (final) state (Harrington); first state of two (Schneiderman)
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.