
Female Figure
Olmec artist(s)
1200-900 BCE · Ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
692 ms. The Metropolitan Museum of Art, Collection API (Open Access)
327 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 116 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Female Figure
Olmec artist(s)
1200-900 BCE · Ceramic
Cleared · Public Domain
live
Terracotta fragment of a neck-amphora (jar)
Unrecorded maker
520–510 BCE · Terracotta
Cleared · Public Domain
live
Design for a Dish with Portraits of the Roman Emperors Caesar, Claudius, and Otho
Theodor de Bry (d. 1598)
ca. 1588 · Engraving
Cleared · Public Domain
live
Disegni Varij di Polifilo Zancarli (Friezes)
Polifilo Giancarli (d. 1625)
ca. 1625 · etching
Cleared · Public Domain
live
The deluge, figures being pulled from the water
Pietro Testa (d. 1650)
ca. 1640–42 · Etching
Cleared · Public Domain
live
Platter with the story of Pan An
Unrecorded maker
early 18th century · Porcelain painted with overglaze polychrome enamels (Jingdezhen ware)
Cleared · Public Domain
live
The Churning of the Ocean of Milk
Unrecorded maker
ca. 1780–90 · Ink and opaque watercolor on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 58: Hermitage, from "A New Book of Chinese Designs"
Matthias Darly (d. 1780)
1754 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 68: Glass Frame, from "A New Book of Chinese Designs"
Matthias Darly (d. 1780)
1754 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entry Hill, Belvedere, Bath
Walter Richard Sickert (d. 1942)
ca. 1917 · Watercolor squared for transfer in pen and red ink, heightened with white gouache (bodycolor)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flood
Edgar Imler (d. 1973)
ca. 1937 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ofika (hanging figure)
Mbole artist
19th–mid-20th century · Wood, pigment
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.