Dish with the Drunken Hercules Supported by Two Women and Flanked by a Lion
Unrecorded maker
ca. 1st century · Schist
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
758 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
257 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 21 matching records exist across the two collections.
Results for "The drunken Silenus, supported by a saty"12 records
Institutions answered newest-first by record, interleaved
Bacchanal with Silenus
Andrea Mantegna (d. 1506)
before 1475 · Engraving with drypoint
Cleared · Public Domain
liveThe MetSimilar
The drunken Silenus with putti
Anonymous, Italian, 16th century (d. 1600)
ca. 1515–40 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Armorial Plate: Silenus on an ass, supported by Bacchic revelers
Nicola da Urbino (d. 1538)
ca. 1520–25 · Maiolica (tin-glazed earthenware)
Cleared · Public Domain
liveThe MetSimilar
The procession of Silenus who is carried on an ass preceeded by a bacchant playing the cymbals and other figures
Agostino Veneziano (Agostino dei Musi) (d. 1536)
ca. 1531 · Engraving
Cleared · Public Domain
liveThe MetSimilar
A drunken Silenus riding an ass being supported by satyrs
Giulio Bonasone (d. 1576)
1531–76 · Engraving
Cleared · Public Domain
liveThe MetSimilar
The Drunken SiIenus: Design for the "Tazza Farnese"
Annibale Carracci (d. 1609)
1599–1600 · Pen and brown ink, brush and brown wash, over traces of black chalk, and stylus compass constructions; framing lines in pen and brown ink and black chalk or charcoal
Cleared · Public Domain
liveThe MetSimilar
Wilton album, folio 41: The Drunken Silenus (Tazza Farnese)
Annibale Carracci (d. 1609)
ca. 1597–1600 · Engraving printed from shallow silver cup
Cleared · Public Domain
liveThe MetSimilar
Drunken Silenus holding a cup aloft into which a Satyr pours wine
Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)
1628 · Etching with drypoint, engraving, and burnishing
Cleared · Public Domain
liveThe MetSimilar
The drunken Silenus, supported by a satyr and a faun
Schelte Adams à Bolswert (d. 1659)
1625–59 · Engraving; second state of three
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 32b:The Drunken Satyr, dismounting a goat, supported by putti
Paolo Farinati (d. 1606)
ca. 1588 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 40 verso: The Drunken Silenus (Paniere Farnese)
Francesco Villamena (d. 1624)
ca. 1598–1601 · Engraving printed from a silver plate
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.