Design for the Entrance of the Loggia of the Villa of Pope Julius
Pietro Paolo Coccetti (Cocchetti) (d. 1727)
1710–27 · Pen and brown ink, brush and gray wash, over ruling in graphite
Cleared · Public Domain
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Where this page got its records
- The Metlive
181 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
268 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,614 matching records exist across the two collections.
Results for "The entrance front, with entrance loggia"12 records
Institutions answered newest-first by record, interleaved
The Entrance to a Wood
Robert Walter Weir (d. 1889)
1836 · Watercolor and graphite on buff wove paper
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Main Entrance]
Frederick H. Evans (d. 1943)
1896 · Platinum print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Main Entrance]
Frederick H. Evans (d. 1943)
1896 · Platinum print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Main Entrance
Frederick H. Evans (d. 1943)
1896 · Platinum print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrance Vestibule
Anonymous, French, 19th century (d. 1900)
19th century · Pen and black ink, brush and gray wash, heightened with white, with framing line in gold leaf
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The entrance front, with conservatory and pergola.
David Aronow
1930s · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The entrance front, with conservatory, pergola, and entrance loggia.
David Aronow
1930s · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The entrance front, with entrance loggia.
David Aronow
1930s · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The entrance front, with pergola and entrance loggia.
David Aronow
1930s · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The entrance loggia, from pergola.
David Aronow
1930s · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The entrance loggia, taken from second floor balcony, view towards Oyster Bay.
David Aronow
1930s · Gelatin silver print
In copyright
liveThe MetSimilar
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