
De gli habiti antichi et moderni di diversi parti del mondo, libri due ...
Cesare Vecellio (d. 1601)
1590 · Woodcut
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
181 ms. The Metropolitan Museum of Art, Collection API (Open Access)
323 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 27 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

De gli habiti antichi et moderni di diversi parti del mondo, libri due ...
Cesare Vecellio (d. 1601)
1590 · Woodcut
Cleared · Public Domain
live
Partisan Carried by the Bodyguard of Louis XIV (1638–1715, reigned from 1643)
Unrecorded maker
ca. 1658–1715 · Steel, gold, wood, textile, brass
Cleared · Public Domain
live
Three Partisans Carried by the Bodyguard of Louis XIV (1638–1715, reigned from 1643)
Jean Berain (d. 1711)
ca. 1658–1715 · Steel, gold, wood, textile, brass
Cleared · Public Domain
live
The favorite nanny (La balia favorita)
Giuseppe Maria Crespi (d. 1747)
1685–1747 · Etching
Cleared · Public Domain
live
The favorite object of his studies is the collection of Idylles by Madame Deshoulières, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville (d. 1847)
ca. 1837–47 · Wood engraving
Cleared · Public Domain
live
Autumn Study, View over Hanging Rock, Newport, R.I.
John La Farge (d. 1910)
1868 · Oil on canvas
Cleared · Public Domain
live
Portrait of Virginie Cardinal's Favorite, the Actor Crochard (illustration for La Famille Cardinal by Ludovic Halévy)
Edgar Degas (d. 1917)
ca. 1880 · Black ink printed on laid paper, mounted on heavy paper (monotype)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
House behind Trees
Georges Braque (d. 1963)
1906–7 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Castle of La Roche-Guyon
Georges Braque (d. 1963)
La Roche-Guyon, summer 1909 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Work and Rest
Jean Charlot (d. 1979)
1956 · Colour lithograph on zinc, offset
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Night in Pisa (La nuit de Pise)
René Magritte (d. 1967)
1958 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.