Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    211 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    301 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 77 matching records exist across the two collections.

Results for "The first scene of the last judgment, vo"12 records

Institutions answered newest-first by record, interleaved

The Last Judgment by Hans Baldung (called Hans Baldung Grien), The Metropolitan Museum of Art

The Last Judgment

Hans Baldung (called Hans Baldung Grien) (d. 1545)

1505 · Woodcut; first of two states

Cleared · Public Domain

live
The MetSimilar
The Last Judgment by Joos van Cleve, The Metropolitan Museum of Art

The Last Judgment

Joos van Cleve (d. 1541)

ca. 1525–30 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
The Last Judgment by Pieter Bruegel the Elder, The Metropolitan Museum of Art

The Last Judgment

Pieter Bruegel the Elder (d. 1569)

1558 · Engraving; first state of two

Cleared · Public Domain

live
The MetSimilar
The Last Judgment by Pieter van der Heyden, The Metropolitan Museum of Art

The Last Judgment

Pieter van der Heyden (d. 1569)

1558 · Engraving; first state of two

Cleared · Public Domain

live
The MetSimilar
Scene from the Last Judgment, Study for the Fresco Decoration of One of the Segments of the Cupola of the Cathedral of Santa Maria del Fiore in Florence by Federico Zuccaro (Zuccari), The Metropolitan Museum of Art

Scene from the Last Judgment, Study for the Fresco Decoration of One of the Segments of the Cupola of the Cathedral of Santa Maria del Fiore in Florence

Federico Zuccaro (Zuccari) (d. 1609)

1576–79 · Pen and brown ink, brush and brown wash, over red chalk on ecru paper. The paper is cut to the shape of a segment of an octagonal cupola

Cleared · Public Domain

live
The MetSimilar
The Last Supper by Jan Muller, The Metropolitan Museum of Art

The Last Supper

Jan Muller (d. 1628)

1594 · Engraving printed from three plates on three sheets; New Holl.'s first state of three

Cleared · Public Domain

live
The MetSimilar
The Last Judgment, plate 13 from "Thronus Justitiae, tredecim pulcherrimus tabulis..." by Willem van Swanenburg, The Metropolitan Museum of Art

The Last Judgment, plate 13 from "Thronus Justitiae, tredecim pulcherrimus tabulis..."

Willem van Swanenburg (d. 1612)

1606 · Engraving

Cleared · Public Domain

live
The MetSimilar
Adulthood (Evening), from "The Four Ages of Man and Death with the Last Judgment" by Hieronymus (Jerome) Wierix, The Metropolitan Museum of Art

Adulthood (Evening), from "The Four Ages of Man and Death with the Last Judgment"

Hieronymus (Jerome) Wierix (d. 1619)

Before 1619 · Engraving; state before Hollstein's first state of two (before astrological symbols added to the flag on left)

Cleared · Public Domain

live
The MetSimilar
Saint Jerome Hearing the Trumpet of the Last Judgment by Jusepe de Ribera (called Lo Spagnoletto), The Metropolitan Museum of Art

Saint Jerome Hearing the Trumpet of the Last Judgment

Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)

1621 · Etching, engraving, and drypoint; first state of two (Brown)

Cleared · Public Domain

live
The MetSimilar
A Scene of Judgment by Johann Melchior Füssli, The Metropolitan Museum of Art

A Scene of Judgment

Johann Melchior Füssli (d. 1677)

ca. 1730 · Pen and black ink, touches of brown ink, and gray wash

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Last Judgment

Crispijn van den Broeck (d. 1524)

ca. 1599 · Engraving; first state of four (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The first scene of the last judgment, volume 4, plate 277 from "Monuments des Arts du Dessin"

Jean Cousin the Younger (d. 1594)

1829 · Lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.