
Tomb Chapel of Raemkai: North Wall
Unrecorded maker
ca. 2446–2389 BCE · Limestone, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
354 ms. The Metropolitan Museum of Art, Collection API (Open Access)
544 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Tomb Chapel of Raemkai: North Wall
Unrecorded maker
ca. 2446–2389 BCE · Limestone, paint
Cleared · Public Domain
live
Venus Marina
Girolamo Campagna (d. 1625)
late 16th century–early 17th century · Bronze
Cleared · Public Domain
live
Jupiter and Mercury in the House of Philemon and Baucis
Hendrick Goudt (d. 1648)
1612 · Etching; second state of two
Cleared · Public Domain
live
Standing Savoyarde with a Marmot Box
Antoine Watteau (d. 1721)
ca. 1715 · Red and black chalk
Cleared · Public Domain
live
Handscroll of Ten Homoerotic (Nanshoku) Scenes
Miyagawa Chōshun 宮川長春 (d. 1753)
early 18th century · Handscroll; ink and colors on silk
Cleared · Public Domain
live
The grape-picker, and elderly woman holding a basket of grapes, after Murillo
Juan Antonio Salvador Carmona (d. 1805)
ca. 1780–1805 · Engraving
Cleared · Public Domain
live
A Cognocenti Contemplating ye Beauties of ye Antique
James Gillray (d. 1815)
February 11, 1801 · Hand-colored etching
Cleared · Public Domain
live
Progress of Gallantry or Stolen Kisses Sweetest
Thomas Rowlandson (d. 1827)
February 14, 1814 · Hand-colored etching
Cleared · Public Domain
live
Progress of Gallantry or Stolen Kisses Sweetest
Thomas Rowlandson (d. 1827)
February 14, 1814 · Hand-colored etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ȯkyeame poma (royal spokesperson's staff) with stool, chain, and crossed swords
Asante-Akan artist
ca. 1930s · Wood, gold foil
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.