
The Assumption of the Virgin
Bernardo Daddi (d. 1348)
1337–38 · Tempera on wood, gold ground
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
326 ms. The Metropolitan Museum of Art, Collection API (Open Access)
461 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 28,951 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Assumption of the Virgin
Bernardo Daddi (d. 1348)
1337–38 · Tempera on wood, gold ground
Cleared · Public Domain
live
The Assumption of the Virgin
Bergognone (Ambrogio di Stefano da Fossano) (d. 1523)
ca. 1510 · Oil and gold on wood
Cleared · Public Domain
live
Assumption of the Virgin
Jacopo Sansovino (Jacopo Tatti) (d. 1570)
ca. 1560 · Copper alloy with a warm light brown patina under a dark brown lacquer or wax.
Cleared · Public Domain
live
Assumption of the Virgin
Unrecorded maker
16th century · Verre églomisé, silver parcel gilt
Cleared · Public Domain
live
Assumption of the Virgin
Adam Lenckhart (d. 1661)
1632 · Ivory
Cleared · Public Domain
live
Design for a Freestanding Altar dedicated to the Assumption of the Virgin
Anonymous, Italian, 18th century (d. 1800)
ca. 1670–1740 · Pen and brown ink, brush and gray wash, over traces of graphite or black chalk; two centering marks in graphite or black chalk (a ruled centered vertical line and a ruled centered horizontal line); a scale in pen and brown ink that is unnumbered at the bottom of composition
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Assumption of the Virgin
Anonymous, Italian, 16th to 17th century (d. 1700)
ca. 1530–80 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Assumption of the Virgin
Anonymous, Italian, 16th to 17th century (d. 1700)
ca 1530–80 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The group to the left of the Assumption with musical angels, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni (d. 1660)
1642 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The group to the right of the Assumption, with Eve and other saints accompanied by putti and angels, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni (d. 1660)
1642 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The anteater's umbrella : a contribution to the critique of the ideology of zoos
Chicago Surrealist Group
1971
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
People To Be Resembling
The Otolith Group
2012 · Single-channel digital video, black-and-white and color, sound, 21 min., 40 sec.
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.