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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    326 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    461 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 28,951 matching records exist across the two collections.

Results for "The group to the right of the Assumption"12 records

Institutions answered newest-first by record, interleaved

The Assumption of the Virgin by Bernardo Daddi, The Metropolitan Museum of Art

The Assumption of the Virgin

Bernardo Daddi (d. 1348)

1337–38 · Tempera on wood, gold ground

Cleared · Public Domain

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The MetSimilar
The Assumption of the Virgin by Bergognone (Ambrogio di Stefano da Fossano), The Metropolitan Museum of Art

The Assumption of the Virgin

Bergognone (Ambrogio di Stefano da Fossano) (d. 1523)

ca. 1510 · Oil and gold on wood

Cleared · Public Domain

live
The MetSimilar
Assumption of the Virgin by Jacopo Sansovino (Jacopo Tatti), The Metropolitan Museum of Art

Assumption of the Virgin

Jacopo Sansovino (Jacopo Tatti) (d. 1570)

ca. 1560 · Copper alloy with a warm light brown patina under a dark brown lacquer or wax.

Cleared · Public Domain

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The MetSimilar
Assumption of the Virgin by an unrecorded maker, The Metropolitan Museum of Art

Assumption of the Virgin

Unrecorded maker

16th century · Verre églomisé, silver parcel gilt

Cleared · Public Domain

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The MetSimilar
Assumption of the Virgin by Adam Lenckhart, The Metropolitan Museum of Art

Assumption of the Virgin

Adam Lenckhart (d. 1661)

1632 · Ivory

Cleared · Public Domain

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The MetSimilar
Design for a Freestanding Altar dedicated to the Assumption of the Virgin by Anonymous, Italian, 18th century, The Metropolitan Museum of Art

Design for a Freestanding Altar dedicated to the Assumption of the Virgin

Anonymous, Italian, 18th century (d. 1800)

ca. 1670–1740 · Pen and brown ink, brush and gray wash, over traces of graphite or black chalk; two centering marks in graphite or black chalk (a ruled centered vertical line and a ruled centered horizontal line); a scale in pen and brown ink that is unnumbered at the bottom of composition

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Assumption of the Virgin

Anonymous, Italian, 16th to 17th century (d. 1700)

ca. 1530–80 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Assumption of the Virgin

Anonymous, Italian, 16th to 17th century (d. 1700)

ca 1530–80 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The group to the left of the Assumption with musical angels, after Correggio's frescoes from the cupola of the Parma Cathedral

Giovanni Battista Vanni (d. 1660)

1642 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The group to the right of the Assumption, with Eve and other saints accompanied by putti and angels, after Correggio's frescoes from the cupola of the Parma Cathedral

Giovanni Battista Vanni (d. 1660)

1642 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The anteater's umbrella : a contribution to the critique of the ideology of zoos

Chicago Surrealist Group

1971

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

People To Be Resembling

The Otolith Group

2012 · Single-channel digital video, black-and-white and color, sound, 21 min., 40 sec.

In copyright

live
The MetSimilar

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2. Read the arithmetic

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