Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    215 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    316 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 649 matching records exist across the two collections.

Results for "The king plucks fruit from the Tree of L"12 records

Institutions answered newest-first by record, interleaved

Prophet King from a Tree of Jesse Window by an unrecorded maker, The Metropolitan Museum of Art

Prophet King from a Tree of Jesse Window

Unrecorded maker

ca. 1260–70 · Pot-metal glass, white glass, vitreous paint, silver stain

Cleared · Public Domain

live
The MetSimilar
Tree of Jesse Window: The Reclining Jesse, King David, and Scenes from the Life of Jesus by an unrecorded maker, The Metropolitan Museum of Art

Tree of Jesse Window: The Reclining Jesse, King David, and Scenes from the Life of Jesus

Unrecorded maker

1280–1300 · Pot-metal glass, vitreous paint, and lead

Cleared · Public Domain

live
The MetSimilar
Mahavira Plucks Out His Hair: Folio from a Kalpasutra Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Mahavira Plucks Out His Hair: Folio from a Kalpasutra Manuscript

Unrecorded maker

15th century · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
The Miracle of the Palm Tree on the Flight to Egypt by an unrecorded maker, The Metropolitan Museum of Art

The Miracle of the Palm Tree on the Flight to Egypt

Unrecorded maker

ca. 1490–1510 · Walnut, gesso, paint, and gilding

Cleared · Public Domain

live
The MetSimilar
Scenes from the Life of King Nebuchadnezzar by Nicola di Maestro Antonio d'Ancona, The Metropolitan Museum of Art

Scenes from the Life of King Nebuchadnezzar

Nicola di Maestro Antonio d'Ancona (d. 1511)

1511 · Tempera on wood, embossed and gilt ornament

Cleared · Public Domain

live
The MetSimilar
Fruit dish (one of a pair) by Thomas Heming, The Metropolitan Museum of Art

Fruit dish (one of a pair)

Thomas Heming (d. 1773)

1766–67 · Silver-gilt

Cleared · Public Domain

live
The MetSimilar
Fruit dish (one of a pair) by Thomas Heming, The Metropolitan Museum of Art

Fruit dish (one of a pair)

Thomas Heming (d. 1773)

1766–67 · Silver-gilt

Cleared · Public Domain

live
The MetSimilar
The Enchanted Tree by Richard Doyle, The Metropolitan Museum of Art

The Enchanted Tree

Richard Doyle (d. 1883)

1868 · Watercolor, gouache, gummed watercolor, applied in layered, opaque and transparent washes with the underlying paper revealed in minute areas throughout the composition

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hell Gate from Great Barn Island

Archibald L. Dick (d. 1855)

1835 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hell Gate from Great Barn Island, New York

Archibald L. Dick (d. 1855)

1835 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vivien, from "The Idylls of the King"

Sir Edward Burne-Jones (d. 1898)

second half 19th century · Process print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Man Under the Pear Tree

Paul Klee (d. 1940)

1921 · Watercolor and transferred printing ink on paper, bordered with metallic foil, mounted on paperboard

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.