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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    581 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    324 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 13 matching records exist across the two collections.

Results for "The last words of Marie Antoinette (Dern"12 records

Institutions answered newest-first by record, interleaved

Briefcase (portefeuille) by Jacques Lourdière, The Metropolitan Museum of Art

Briefcase (portefeuille)

Jacques Lourdière (d. 1798)

1763–64 · Red morocco leather embroidered with gold thread and silk, fitted with gold lock, lined with green silk; gold

Cleared · Public Domain

live
The MetSimilar
Stand by Sèvres Manufactory, The Metropolitan Museum of Art

Stand

Sèvres Manufactory (d. 9999)

ca. 1777–85 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
Tureen with cover (Terrine épis de blé or épis en or et plateau) by Sèvres Manufactory, The Metropolitan Museum of Art

Tureen with cover (Terrine épis de blé or épis en or et plateau)

Sèvres Manufactory (d. 9999)

ca. 1777–85 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
Writing and dressing table by Martin Carlin, The Metropolitan Museum of Art

Writing and dressing table

Martin Carlin (d. 1785)

ca. 1785 · Sycamore, mahogany, boxwood, and ebony on oak; gilt bronze; brass; marble; leather, steel

Cleared · Public Domain

live
The MetSimilar
Drop-front desk (secrétaire à abattant or secrétaire en cabinet) by Adam Weisweiler, The Metropolitan Museum of Art

Drop-front desk (secrétaire à abattant or secrétaire en cabinet)

Adam Weisweiler (d. 1820)

ca. 1787 · Oak veneered with burl thuya, amaranth, mahogany, satinwood, holly, and ebonized holly; painted metal; one soft-paste porcelain plaque; fifteen jasper medallions; gilt-bronze mounts; marble; leather (not original)

Cleared · Public Domain

live
The MetSimilar
The last words of Louis XVI (Testament de Louis XVI) by Anonymous, The Metropolitan Museum of Art

The last words of Louis XVI (Testament de Louis XVI)

Anonymous

1793–1800 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
The last words of Marie Antoinette (Dernières Paroles de Marie Antoinette) by J. Pelicier, The Metropolitan Museum of Art

The last words of Marie Antoinette (Dernières Paroles de Marie Antoinette)

J. Pelicier (d. 18)

1794–1815 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The testament and last words of Marie Antoinette by Anonymous, The Metropolitan Museum of Art

The testament and last words of Marie Antoinette

Anonymous

1793–1819 · Engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Last Interview between Louis XVI, King of France and his Family

Isaac Cruikshank (d. 1811)

March 8, 1793 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Last Interview of Lewis the Sixteenth, with His Family (La derniere entrevue de Louis Seize, avec sa Famille)

Charles Benazech (d. 1794)

1794 · Stipple engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album with 25 designs for brooches, bracelets, and other jewelry for Mellerio-Borgnis

F. Mellerio Borgnis

ca. 1830–70 · Graphite, some heightened with gray wash; the last drawing in gray wash and black and white gouache

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nine designs for brooches with ribbons and stylized leaves

F. Mellerio Borgnis

ca. 1830–70 · Graphite, pen and black, green, red, yellow, blue, and gold ink, heightened with gray wash

In copyright

live
The MetSimilar

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2. Read the arithmetic

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