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OpenPlate

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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    319 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    375 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 339 matching records exist across the two collections.

Results for "The lover of Hamnaz, who has been hanged"12 records

Institutions answered newest-first by record, interleaved

An Oriental Grandee, A Peasant with a Cock attached to his Belt and a Veiled Woman Playing the Rumbling-Pot, plate 5 from "The Masquerades" by Jacques de Gheyn II, The Metropolitan Museum of Art

An Oriental Grandee, A Peasant with a Cock attached to his Belt and a Veiled Woman Playing the Rumbling-Pot, plate 5 from "The Masquerades"

Jacques de Gheyn II (d. 1629)

1595–96 · Engraving; first state of three

Cleared · Public Domain

live
The MetSimilar
The lover of Hamnaz, who has been hanged from the gallows, bites off her nose when she kisses him, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night by an unrecorded maker, The Cleveland Museum of Art

The lover of Hamnaz, who has been hanged from the gallows, bites off her nose when she kisses him, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Alcibiades Interrupting the Symposium (recto); Sketches of the Baptism of Christ and of a Man (verso) by Peter Paul Rubens, The Metropolitan Museum of Art

Alcibiades Interrupting the Symposium (recto); Sketches of the Baptism of Christ and of a Man (verso)

Peter Paul Rubens (d. 1640)

ca. 1601–02 (recto); ca. 1601 (verso) · Pen and brown ink, over black chalk

Cleared · Public Domain

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The MetSimilar
Ramkali Ragini: Folio from a ragamala series (Garland of Musical Modes) by an unrecorded maker, The Metropolitan Museum of Art

Ramkali Ragini: Folio from a ragamala series (Garland of Musical Modes)

Unrecorded maker

ca. 1605–06 · Ink and opaque watercolor on paper

Cleared · Public Domain

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The MetSimilar
The suicide of Dido, Queen of Carthage by Ferdinando Tacca, The Metropolitan Museum of Art

The suicide of Dido, Queen of Carthage

Ferdinando Tacca (d. 1686)

late 17th century · Bronze, on later wood base

Cleared · Public Domain

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The MetSimilar
Lacquered Pen Box (Qalamdan) by Manohar, The Metropolitan Museum of Art

Lacquered Pen Box (Qalamdan)

Manohar (d. 1624)

late 17th–early 18th century · Papier-maché; painted, gilded, and lacquered

Cleared · Public Domain

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The MetSimilar
Careless Attention by Thomas Rowlandson, The Metropolitan Museum of Art

Careless Attention

Thomas Rowlandson (d. 1827)

February 1, 1789 · Hand-colored etching

Cleared · Public Domain

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The MetSimilar
"Evening Faces" chapter from The Tale of Genji (Genji monogatari) by Kawamata Tsunemasa, The Metropolitan Museum of Art

"Evening Faces" chapter from The Tale of Genji (Genji monogatari)

Kawamata Tsunemasa (d. 1758)

18th century · Hanging scroll; ink and color on paper

Cleared · Public Domain

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The MetSimilar
From Sir William Hamilton's Collection by James Gillray, The Metropolitan Museum of Art

From Sir William Hamilton's Collection

James Gillray (d. 1815)

May 8, 1801 · Hand-colored etching

Cleared · Public Domain

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The MetSimilar
Off She Goes by Thomas Rowlandson, The Metropolitan Museum of Art

Off She Goes

Thomas Rowlandson (d. 1827)

1812 · Hand-colored etching

Cleared · Public Domain

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The MetSimilar
Inrō with Tanabata Story of the Weaver and the Herdboy by Nomura Kyūkoku, The Metropolitan Museum of Art

Inrō with Tanabata Story of the Weaver and the Herdboy

Nomura Kyūkoku (d. 1849)

active first half of the19th century · Three cases; lacquered wood with gold hiramaki-e and ivory inlay on mother-of-pearl ground; Netsuke: carved ivory; flowers and grasses with silver butterflies; Ojime: silver and gold quail in autumn grasses

Cleared · Public Domain

live
The MetSimilar
Figures with dragons by Unidentified artist, The Metropolitan Museum of Art

Figures with dragons

Unidentified artist

late 19th–early 20th century · Ink and color on paper

Cleared · Public Domain

live
The MetSimilar

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