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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    52 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    7 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 39 matching records exist across the two collections.

Results for "The marriage of Meleager and Atalanta; t"10 records

Institutions answered newest-first by record, interleaved

The Marriage of Cupid and Psyche by Andrea Schiavone (Andrea Meldola), The Metropolitan Museum of Art

The Marriage of Cupid and Psyche

Andrea Schiavone (Andrea Meldola) (d. 1563)

ca. 1540 · Oil on wood, transferred to Masonite

Cleared · Public Domain

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The MetSimilar
Atalanta and Meleager by Peter Paul Rubens, The Metropolitan Museum of Art

Atalanta and Meleager

Peter Paul Rubens (d. 1640)

ca. 1616 · Oil on wood

Cleared · Public Domain

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The MetSimilar
Meleager and Atalanta by Crispijn de Passe the Younger, The Metropolitan Museum of Art

Meleager and Atalanta

Crispijn de Passe the Younger (d. 1670)

first quarter 17th century · Silk and metal thread on canvas

Cleared · Public Domain

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The MetSimilar
Atalanta and Meleager by Willem Panneels, The Metropolitan Museum of Art

Atalanta and Meleager

Willem Panneels (d. 1632)

ca. 1631 · Etching; first state of two (Hollstein)

Cleared · Public Domain

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The MetSimilar
Meleager by Antonio Gai, The Metropolitan Museum of Art

Meleager

Antonio Gai (d. 1769)

1735 · Marble

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Atalanta and Meleager chasing the Calydonian Boars

Etienne Delaune (d. 1583)

1573 · Engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Meleager offering the boar's head to Atalanta

Etienne Delaune (d. 1583)

1573 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Atalanta and Meleager Killing the Wild Boar (Calidonius ab Atalanta aper primo vulneratus a Meleagro interimitur), plate 76 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)

Antonio Tempesta (d. 1630)

Published after 1606 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Marriage of Meleager and Atalanta, plate 14 from "Schola Italica Picturae"

Camillo Tinti (d. 1796)

1772 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The marriage of Meleager and Atalanta; three decorated pedastals holding fires, a group of men and women surrounding them, after Polidoro da Caravaggio

Camillo Tinti (d. 1796)

1772 · Engraving and etching

In copyright

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The MetSimilar

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