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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    355 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    294 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 30,756 matching records exist across the two collections.

Results for "The painting made by the vizier of the e"12 records

Institutions answered newest-first by record, interleaved

Relief with two officials or sons of the Vizier Dagi by an unrecorded maker, The Metropolitan Museum of Art

Relief with two officials or sons of the Vizier Dagi

Unrecorded maker

ca. 2010–2000 B.C. or ca. 2000–1981 B.C. · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
The Sortie Made by the Garrison of Gibraltar by John Trumbull, The Metropolitan Museum of Art

The Sortie Made by the Garrison of Gibraltar

John Trumbull (d. 1843)

1789 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
The Wood Sawyer by Charles E. Weir, The Metropolitan Museum of Art

The Wood Sawyer

Charles E. Weir (d. 1845)

1842 · Oil on board

Cleared · Public Domain

live
The MetSimilar
The Father of the Forest - C. Grove by Carleton E. Watkins, The Metropolitan Museum of Art

The Father of the Forest - C. Grove

Carleton E. Watkins (d. 1916)

ca. 1878 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
The Father of the Forest - The Horse Back Side. Calaveras Grove by Carleton E. Watkins, The Metropolitan Museum of Art

The Father of the Forest - The Horse Back Side. Calaveras Grove

Carleton E. Watkins (d. 1916)

ca. 1878 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
The Mother of the Forest - Calaveras Grove by Carleton E. Watkins, The Metropolitan Museum of Art

The Mother of the Forest - Calaveras Grove

Carleton E. Watkins (d. 1916)

ca. 1878 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
The Mother of the Forest From the Father of the Forest - Calavaras Grove by Carleton E. Watkins, The Metropolitan Museum of Art

The Mother of the Forest From the Father of the Forest - Calavaras Grove

Carleton E. Watkins (d. 1916)

ca. 1878 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
The Pride of the Forest - Calaveras Grove by Carleton E. Watkins, The Metropolitan Museum of Art

The Pride of the Forest - Calaveras Grove

Carleton E. Watkins (d. 1916)

ca. 1878 · Albumen silver print from glass negative

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated catalogue of Useful and Ornamental Articles Manufactured by G. E. Magnus at the Pimlico Slate Works

G. E. Magnus (d. 1900)

1857 · Illustrations: photographic process

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

John Decker, Chief Engineer of the New York Fire Department

E. B. & E. C. Kellogg (d. 1867)

1842 · Lithograph with tint stone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Valley of the Susquehanna

E. Blummer (d. 1900)

1857–71 · Hand-colored lithograph with a touch of gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Eight

Cyril E. Power (d. 1951)

1930 · Color linocut on Japanese paper

In copyright

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The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.