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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    2516 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    477 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7,729 matching records exist across the two collections.

Results for "The parable of the dream, a group of peo"12 records

Institutions answered newest-first by record, interleaved

Terracotta vase in the form of a mouse by Randazzo Group, The Metropolitan Museum of Art

Terracotta vase in the form of a mouse

Randazzo Group

mid-5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Corner Capital with the Dream of the Magi by an unrecorded maker, The Metropolitan Museum of Art

Corner Capital with the Dream of the Magi

Unrecorded maker

ca. 1135–50 · Marble

Cleared · Public Domain

live
The MetSimilar
The Parable of the Beam and the Mote by Netherlandish, The Metropolitan Museum of Art

The Parable of the Beam and the Mote

Netherlandish (d. 1555)

ca. 1520–30 · Pen and brown ink over traces of black chalk; original borderlines at left and right edges.

Cleared · Public Domain

live
The MetSimilar
Parable of the Good Shepherd by Philips Galle, The Metropolitan Museum of Art

Parable of the Good Shepherd

Philips Galle (d. 1612)

1565 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Parable of the Good Shepherd by Anonymous, Netherlandish, late 16th century, The Metropolitan Museum of Art

The Parable of the Good Shepherd

Anonymous, Netherlandish, late 16th century (d. 1600)

ca. 1570 · Etching printed on two horizontal sheets

Cleared · Public Domain

live
The MetSimilar
The Dream of Aeneas by Salvator Rosa, The Metropolitan Museum of Art

The Dream of Aeneas

Salvator Rosa (d. 1673)

1660–65 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
The Parable of the Wise and Foolish Virgins by William Blake, The Metropolitan Museum of Art

The Parable of the Wise and Foolish Virgins

William Blake (d. 1827)

ca. 1799–1800 · Watercolor, pen and black ink, brush and wash, over graphite

Cleared · Public Domain

live
The MetSimilar
Dream of Arcadia by James Smillie, The Metropolitan Museum of Art

Dream of Arcadia

James Smillie (d. 1885)

1851 · Etching and engraving on steel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The parable of the dream, a group of people around a woman on a bed, illustration for 'Don Bullebulle'

Gabriel Vicente Gahona (Picheta) (d. 1899)

1847 (reprinted 1944) · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Dream of the Future

James John Chant (d. 1883)

August 1, 1881 · Mixed method engraving on chine collé; proof before letters

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Western Dream

Helen Frankenthaler (d. 2011)

1957 · Oil on unsized, unprimed canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dream State

Kathy Butterly (d. 9999)

2016 · Glazed ceramic

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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