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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    271 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    353 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 27 matching records exist across the two collections.

Results for "The prince rejects the amorous advances"12 records

Institutions answered newest-first by record, interleaved

Plaque with the Fountain of Youth by an unrecorded maker, The Metropolitan Museum of Art

Plaque with the Fountain of Youth

Unrecorded maker

ca. 1320–40 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
The prince rejects the amorous advances of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night by an unrecorded maker, The Cleveland Museum of Art

The prince rejects the amorous advances of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Box with Courting Couples by an unrecorded maker, The Metropolitan Museum of Art

Box with Courting Couples

Unrecorded maker

14th century · Elephant ivory with modern iron and cardboard mounts

Cleared · Public Domain

live
The MetSimilar
"The Fire Ordeal of Siyavush", Folio from a Shahnama (Book of Kings) of Firdausi by Abu'l Qasim Firdausi, The Metropolitan Museum of Art

"The Fire Ordeal of Siyavush", Folio from a Shahnama (Book of Kings) of Firdausi

Abu'l Qasim Firdausi (d. 1020)

dated 887 AH/1482 CE · Ink, watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
"Yusuf and Zulaikha", Folio 51r from a Bustan of Sa`di by an unrecorded maker, The Metropolitan Museum of Art

"Yusuf and Zulaikha", Folio 51r from a Bustan of Sa`di

Unrecorded maker

ca. 1525–35 · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Pleasures of the Hunt by an unrecorded maker, The Metropolitan Museum of Art

Pleasures of the Hunt

Unrecorded maker

ca. 1800 · Ink, opaque watercolor, gold and silver on paper

Cleared · Public Domain

live
The MetSimilar
Andromache and Astyanax by Pierre Paul Prud'hon, The Metropolitan Museum of Art

Andromache and Astyanax

Pierre Paul Prud'hon (d. 1823)

?1813–17; 1823–24? · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
A Contest of Elegant Ladies among the Cherry Blossoms (Kaika kifujin kisoi) by Yōshū (Hashimoto) Chikanobu, The Metropolitan Museum of Art

A Contest of Elegant Ladies among the Cherry Blossoms (Kaika kifujin kisoi)

Yōshū (Hashimoto) Chikanobu (d. 1912)

September 1887 · Triptych of woodblock prints (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Equestrian Portrait of Louis de Lorraine, Prince of Phalsbourg

Jacques Callot (d. 1635)

ca. 1624 · Brush and brown wash over black chalk; the outlines of the horse and rider are pricked for transfer and partially indented

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette, Volume I, Canto VIII, Page 197, from "Orlando Furioso"

Benoît Louis Henriquez (d. 1806)

1771–74 · Etching and engraving; third state of six (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette, Volume I, Canto VIII, Page 197, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.

Benoît Louis Henriquez (d. 1806)

1771–74 · Etching and engraving; third state of six (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Madalasa and Ratudhvaja

Unrecorded maker

1899–1910 · Chromolithograph on paper

In copyright

live
The MetSimilar

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