
The Prodigal as a Swineherd (one of eight scenes from the story of the Prodigal Son)
Unrecorded maker
1532 · Colorless glass, vitreous paint and silver stain
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
376 ms. The Metropolitan Museum of Art, Collection API (Open Access)
393 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,770 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Prodigal as a Swineherd (one of eight scenes from the story of the Prodigal Son)
Unrecorded maker
1532 · Colorless glass, vitreous paint and silver stain
Cleared · Public Domain
live
The Prodigal Son Kneeling Repentant among Swine
Salvator Rosa (d. 1673)
1615–73 · Pen and brown ink, brown wash, on brownish paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son as a Swineherd, from The Parable of the Prodigal Son, bound in "Thesaurus Sacrarum historiarum Veteris et Novi Testamenti"
Jan Collaert I (d. 1581)
1585 · Engraving; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son as a Swineherd, from The Parable of the Prodigal Son, bound in "Thesaurus Sacrarum historiarum Veteris et Novi Testamenti"
Jan Collaert I (d. 1581)
1585 · Engraving; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son as a Swineherd, plate 3 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching; Hollstein's second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son Feasting with Harlots, plate 2 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching; Hollstein's second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son Leaving His Father's House, plate 1 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching; Hollstein's first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Return of the Prodigal Son, plate 4 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 76: the prodigal son as a swineherd, seated beneath a tree at left, three pigs at right
Anonymous
ca. 1620–30 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The prodigal son as a swineherd
Justus Sadeler (d. 1625)
1590–1645 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son Carouses in a Tavern from the Story of the Prodigal Son
Nicolaes de Bruyn (d. 1656)
1590–1656 · Engraving; first state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son as Swineherd and The Return of the Prodigal Son, from "The Story of the Prodigal Son"
Julius Goltzius (d. 1595)
n.d. · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.