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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    290 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    323 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 4,461 matching records exist across the two collections.

Results for "The revolution and security of society ("11 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Institution of the Society of the Cincinnati

Society of the Cincinnati (d. 9999)

1801 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Transactions of the Horticultural Society, London, vol. 1

Horticultural Society of London (d. 2100)

1815 (2nd ed.) · Illustrations: etching, stipple and aquatint, color-printing, and hand-coloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Transactions of the Horticultural Society, London, vol. 2

Horticultural Society of London (d. 2100)

1818 (2nd ed.) · Illustrations: etching, stipple and aquatint, color-printing, and hand-coloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Transactions of the Horticultural Society, London, vol. 4

Horticultural Society of London (d. 2100)

1822 · Illustrations: etching, stipple and aquatint, color-printing, and hand-coloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Transactions of the Horticultural Society, London, vol. 5

Horticultural Society of London (d. 2100)

1824 · Illustrations: etching, stipple and aquatint, color-printing, and hand-coloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Transactions of the Horticultural Society, London, vol. 6

Horticultural Society of London (d. 2100)

1826 · Etching, aquatint, stipple and rocker work on steel; color printing with hand-coloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Transactions of the Horticultural Society, London, vol. 7

Horticultural Society of London (d. 2100)

1830 · Illustrations: etching, aquatint, stipple and rocker work on steel; color printing with hand-coloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fraunces' Tavern, New York

William Sartain (d. 1924)

1892 · Etching on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the City of New York, as Seen on the Morning of the 13th December, 1835, from Brooklyn Heights (Card of the 16th Annual Meeting of the Society of Iconophiles)

The Society of Iconophiles (d. 1936)

1911 [reproducing work of 1835] · Color lithograph with hand coloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Announcing the Washington Plates, by Wedgwood

National Society of the Daughters of the American Revolution

1932 · Illustrations: photomechanical process and lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The revolution and security of society (La revolucion y la seguridad social), Plate 136 bis. from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)

Ángel Bracho (d. 2005)

1960 · Offset lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.