Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    465 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    466 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8,513 matching records exist across the two collections.

Results for "The son of the king of Babylon sees the"12 records

Institutions answered newest-first by record, interleaved

Cuneiform prism describing the restoration of Babylon by Esarhaddon, stamped with Assyrian hieroglyphic inscription by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform prism describing the restoration of Babylon by Esarhaddon, stamped with Assyrian hieroglyphic inscription

Unrecorded maker

ca. 676–672 BCE · Clay

Cleared · Public Domain

live
The MetSimilar
The son of the king of Babylon sees the Brahman transformed into a woman bathing and falls in love with her, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night by an unrecorded maker, The Cleveland Museum of Art

The son of the king of Babylon sees the Brahman transformed into a woman bathing and falls in love with her, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cuneiform cylinder: inscription of Nebuchadnezzar II describing the construction of the outer city wall of Babylon by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform cylinder: inscription of Nebuchadnezzar II describing the construction of the outer city wall of Babylon

Unrecorded maker

ca. 604–562 BCE · Clay

Cleared · Public Domain

live
The MetSimilar
The Whore of Babylon, from "The Apocalypse" by Albrecht Dürer, The Metropolitan Museum of Art

The Whore of Babylon, from "The Apocalypse"

Albrecht Dürer (d. 1528)

1498 · Woodcut

Cleared · Public Domain

live
The MetSimilar
The Whore of Babylon, from "The Apocalypse" by Albrecht Dürer, The Metropolitan Museum of Art

The Whore of Babylon, from "The Apocalypse"

Albrecht Dürer (d. 1528)

1497–98 · Woodcut

Cleared · Public Domain

live
The MetSimilar
The Fall of Babylon by Philips Galle, The Metropolitan Museum of Art

The Fall of Babylon

Philips Galle (d. 1612)

1569 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Fall of Babylon, from the Apocalypse by Jean Duvet, The Metropolitan Museum of Art

The Fall of Babylon, from the Apocalypse

Jean Duvet (d. 1561)

n.d. · Engraving; second state of two

Cleared · Public Domain

live
The MetSimilar
Scenes from Life of the Buddha by King Mindon, The Metropolitan Museum of Art

Scenes from Life of the Buddha

King Mindon (d. 1878)

1880s · Accordion-fold album (Burmese: parabaik), watercolors, ink and gold on mulberry bark paper, with tooled leather boards

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

San Pellegrino, the son of the King of Scotland

Gaspare Ruina (d. 1540)

ca. 1500–1540 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

San Pellegrino, the son of the King of Scotland

Gaspare Ruina (d. 1540)

ca. 1500–1540 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Allegory of the Government of a Wise King

Jacques de Gheyn II (d. 1629)

1588 · Engraving; first state of five (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Queen of Hearts and the Stolen Tarts

Dean & Son (d. 1950)

[ca. 1857] (?) · Illustrations: wood engraving, handcolored

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.