Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    296 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    460 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 59 matching records exist across the two collections.

Results for "The suitors take the devotee’s daughter"12 records

Institutions answered newest-first by record, interleaved

Terracotta hydria: kalpis (water jar) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta hydria: kalpis (water jar)

Unrecorded maker

1st quarter of the 4th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
The suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Night by an unrecorded maker, The Cleveland Museum of Art

The suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
María Teresa (1638–1683), Infanta of Spain by Velázquez (Diego Rodríguez de Silva y Velázquez), The Metropolitan Museum of Art

María Teresa (1638–1683), Infanta of Spain

Velázquez (Diego Rodríguez de Silva y Velázquez) (d. 1660)

1651–54 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
The third suitor strikes the devotee’s daughter and thus restores her to life, from a Tuti-nama (Tales of a Parrot): Twentieth Night by an unrecorded maker, The Cleveland Museum of Art

The third suitor strikes the devotee’s daughter and thus restores her to life, from a Tuti-nama (Tales of a Parrot): Twentieth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Ladies Bill of Fare, or, a Copious Collection of Beaux by George Wilson, The Metropolitan Museum of Art

The Ladies Bill of Fare, or, a Copious Collection of Beaux

George Wilson (d. 1801)

1795 · Hand-colored stipple engraving

Cleared · Public Domain

live
The MetSimilar
The Return from the Continent, or the Family Puzzled by John Phillips, The Metropolitan Museum of Art

The Return from the Continent, or the Family Puzzled

John Phillips (d. 1831)

1835 · Etching

Cleared · Public Domain

live
The MetSimilar
The Major's Daughter (for "Once a Week," June 21, 1862) by James McNeill Whistler, The Metropolitan Museum of Art

The Major's Daughter (for "Once a Week," June 21, 1862)

James McNeill Whistler (d. 1903)

1862 · Wood engraving; proof

Cleared · Public Domain

live
The MetSimilar
The Major's Daughter (from "Once a Week") by James McNeill Whistler, The Metropolitan Museum of Art

The Major's Daughter (from "Once a Week")

James McNeill Whistler (d. 1903)

June 21, 1862 · Wood engraving; proof

Cleared · Public Domain

live
The MetSimilar
Tired Nature's Sweet Restorer, Balmy Sleep, from "Illustrated London News" by William Luson Thomas, The Metropolitan Museum of Art

Tired Nature's Sweet Restorer, Balmy Sleep, from "Illustrated London News"

William Luson Thomas (d. 1900)

January 31, 1863 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
Flight of the Queen of James II, from "Illustrated London News" by Richard Principal Leitch, The Metropolitan Museum of Art

Flight of the Queen of James II, from "Illustrated London News"

Richard Principal Leitch (d. 1882)

August 3, 1872 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
Savitri, emblematic of ideal womanhood by an unrecorded maker, The Metropolitan Museum of Art

Savitri, emblematic of ideal womanhood

Unrecorded maker

1878–83 · Lithograph, printed in black and hand-coloring with watercolor and selectively applied glaze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Brick stamped with the cartouches of the High Priest of Amun, Menkheperre

Unrecorded maker

ca. 1058–1008 BCE · Mud

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.